Commentary - The Knight in the Wood

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English commentary

The Knight in the Wood

In 1870 a poet named Lord de Tabley released a set of poems called Rehearsals one of which is the poem 'The knight in the Wood'. This poem is about the poet trying to convey to the reader his feelings towards art and his feelings about one sculpture in particular 'The Knight in the Wood'.

The poet spends the first part of the poem contrasting this particular sculpture with the rest of the artistic artefacts displayed in the 'great Roman palace', the setting of this poem. It opens with Lord de Tabley taking a lot of care and detail in conveying to the reader just how imperfect this piece of art is and how it has been discarded due to its pore quality and imperfections. We are told this piece is a' rough' and 'crudely done' sculpture carved from a 'skill-less' hand, which helps the reader to immediately picture and acknowledge the sculptures poor quality. The phrase '.. spitefully placed aside As merest lumber, where the light was worst..' suggests that this piece, in the eyes of others was so bad it was treated as if it was an old off-cut piece of wood, and the word 'spitefully' suggests it was put in the worst light intentionally because of its poor quality which introduces the idea that this piece was not appreciated of valued. This idea that the sculpture had no worth is reinforced further on in the poem, when the poet describes how it 'had no number in the list of gems'. The poet then moves on to illustrate to the reader how beautiful and perfect the other paintings seem yet how meaningless and shallow they actually are, words such as 'faultless', 'smirking', 'skin-deep' create this image perfectly.
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The poet recognises immediately that this sculpture isn't beautiful however he obviously finds this piece extremely evocative and finds that beyond its skin deep imperfections it is expressing more merit, meaning and compassion than any of the beautiful yet artificial and non realistic pieces that fill the halls and rooms of that grand Roman palace. The poet conveys to us how he feels this piece stands out above all of the other art and instead through its 'utter failure' and flawed features this one piece of badly done art can be identified with more than the meaningless and ...

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