• Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

In what ways did the influence of Classical Antiquity effect idealization in the styles of Michelangelo

Extracts from this document...

Introduction

Mikhail Rodricks 13 Stevens AS Art History "In what ways did the influence of Classical Antiquity effect idealization in the styles of Michelangelo?" One would not have expected the violent and politically unsettled Italy during the early sixteenth century to have produced arguably the greatest artist in the world, but it did just that. This artist was none other than Michelangelo Buonarroti or "Il Divino" who at the height of his prowess gave life to marble, created frescoes that could move, and designed buildings that would inspire millions. Born in 1475, Michelangelo was one of many artists that just happened to be at the right place at the right time, for he was born into an Italy that was experiencing an 'artistic revival', now known as the Renaissance. This movement was brought about by the discovery of many Greek and Roman artifacts, remnants of a lost time, which sparked a renewal of a way of life this forgotten age had represented. ...read more.

Middle

A good example of the influence of Neo-Platonism in his work can be seen in 'The Fall of Man and the Expulsion from Paradise', which links the physical state of the body with the moral state of the mind. Michelangelo's recently found Neo-Platonic philosophy tied in well with his strong Christian beliefs, "Good painting is nothing but a copy of the perfection of God and a recollection of His painting". It is with this philosophy that Michelangelo set out to carve the 'David', perhaps one of the most famous sculptures in history. David represents all that Michelangelo has been influenced by to this date, he portrays a Christian symbol of great faith and virtue, a preexistent form in stone that awaited one with the gift from God, and most importantly, a figure of Classical repose, a Grecian portrayal of heroism, an idealization of the human form. To this point, we have seen Michelangelo idealise with the Christian values taught to him by Ghirlandaio, the Grecian and Roman tradition brought out from Classical Antiquity, and the philosophies promoted by Ficino and Neo-Platonism. ...read more.

Conclusion

The 'Rebellious Slave' and 'Dying Slave' are two examples of further development on this ideology, for they represent the Platonic quest to free the soul from the bodily prison, evident in the strong contrapposto of the figures, while portraying the romanticism and harmony of Classical art. Right up till his death in 1564, Michelangelo continued to produce art; in his later years this took the form of architecture, and in particular the redesigning of St. Peters. Michelangelo's life can be seen as a "culmination of a quest to reconcile fidelity to the natural world with the classical ideals of harmony and proportion." His strong Christian values seem to reverberate throughout his career, with a central theme of redemption, whether through the suffering of the Piet´┐Ż, through the heroism displayed in David, or through the divine grace represented on the Sistine ceiling. Through Michelangelo's work one can see that he held the human form in great respect and idealized human beauty and from this I would say that he did indeed achieve perfection, which is perhaps why his contributions to the history of art are immeasurable. ...read more.

The above preview is unformatted text

This student written piece of work is one of many that can be found in our AS and A Level Art & Design section.

Found what you're looking for?

  • Start learning 29% faster today
  • 150,000+ documents available
  • Just £6.99 a month

Not the one? Search for your essay title...
  • Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

See related essaysSee related essays

Related AS and A Level Art & Design essays

  1. Why did the renaissance begin in Northern Italy?

    a civilised lifestyle and formed a central part of the Renaissance man. The development of humanism within Italy also owed a lot to the fall of Constantinople in 1453. When the city fell many Greeks fled to Italy, bringing with them a thousand years of learning.

  2. Gustav Stresemann, the most influential German politician from 1923-1929 helped Germany, in many ways ...

    Alternatively, some artists, such as Hannah Hoech were members of new movements. She was a member of a group, which believed that the absurd should be considered normal, much of her work was in the form of collage, assembled from smaller parts, including photographs.

  1. To what extent did the context and achievement of the Northern Renaissance differ to ...

    Juan de Flandes's 'Christ and the Samaritan Woman' depicts the importance of the Bible, this story being from the New Testament. When comparing the religious responses of Erasmus, a Christian humanist with those of the Italian, Machiavelli, one can clearly see where the two renaissances differed.

  2. The Renaissance began in Italy during the 1400s, a period of time called the ...

    Lorenzo attracted and gathered poets, painters, and scholars to the Medici Palace, and together they would write poetry, read, debate, and learn. Botticelli was also commissioned to paint private rooms in the Palace. Many of his paintings reflect a yearning for the past, a sense of melancholy.

  1. Annotated Bibliography on Willem de Kooning

    It deals with the physical, theoretical and abstract aspects of the paintings. It then sums up the review by giving a general conclusion on the exhibition which is responded to positively. There are two colour illustrations on the page which are small in size, the paintings are the ones analysed in the article.

  2. The Master and Margarita by Mikhail Bulgakov - A review.

    and Pontius Pilate. Here, Pontius Pilate is a reluctant bureaucrat, wrecked by migraines and is consumed with guilt at his own cowardice. He is tormented by the fact that he did not prevent the crucifixion of Christ at the trial and takes a strange interest in Yeshua's ideologies.

  1. The Baroque and the Renaissance Eras: Two of the few portals of open thought

    During these times, the outlook of many artists in that area underwent changes. The social status of artists changed as well in these times. The artists were developed into two contrasting personality types - the person of the world and the solitary genius.

  2. There are many different styles of architecture. All these styles depend on the time ...

    This period contained practical ideas, still with a sort of creative though. Buildings and towers were built with steel and iron beams and supports. Glass covered steel/iron webs to create walls, large window, and 'sunroofs'. A famous architect from this time period is Alexandre Gustave Eiffel.

  • Over 160,000 pieces
    of student written work
  • Annotated by
    experienced teachers
  • Ideas and feedback to
    improve your own work