After examining the opening scene of "The Godfather" (Dir. Francis Ford Coppola, 1972) discuss how the director engages and holds our attention.

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After examining the opening scene of “The Godfather” (Dir. Francis Ford Coppola, 1972) discuss how the director engages and holds our attention.

        The beginning of the film “The Godfather” opens with a black screen, alternating with the introduction and the title. The change from the blank screen to the headings is slow and dignified. The blackness suggests death, darkness and night and therefore the audience knows straight away that it is a serious film. The stark, sharp contrast of the black background and the white titles gives an impression of hardness, there is nothing frivolous about the opening of this film and at this point the audience should have realised that the content of the film will be solemn and thought-provoking rather than casual and light hearted.

        When the first title appears the lack of colour again emphasises the serious tone of the film. The lack of the colour/visual stimuli all add to the sombre mood of the opening of the film.

        The audience hear a character’s voice before they see him. It is a voice over on the blank screen for a few seconds and then the audience see a close-up as the characters face fades in. He is serious and seems to be nervous when speaking. It is delivered in an almost pleading tone but the character uses different tactics during his monologue – pride in America first, family values, more pride when his daughter suffers a terrible beating rather than lose her honour, anger, disgust and pain because of what happened to her and the appeal to a fellow Sicillian for justice. As he is speaking the camera angle changes to high and we look down at Bonasera giving us the same view that Don Corleone seems to have of him. The voice over initially seems to be some sort of patriotic speech

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                          The slow build up towards the actual visual image of Don Corleone adds tension to the scene. The desk separates the two characters and also acts as a barrier between them, this gives us the impression that, unless he chooses, he is untouchable. He sits listening to the plea whilst the men in the shadows watch and wait, guarding Don Corleone ready to do his bidding by a simple gesture. The audience is aware that the mere presence of this man commands respect. He simply moves his ...

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