An analytical account of the scenes of the involvement of Tituba in witchcraft and her influence over the girls

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 The audience are first brought into the film by the white credits on the black background which signifies the harsh contrasts between good and evil in the film. The first shot of Abigail, sitting bolt upright in bed, creates an instant feeling of drama and tension. The expression on her face suggests an element of certain mischief.

  The succession of camera shots that follow are quick close-ups of the other girls and the audience senses that a key event is about to take place, from which the rest of the film will develop.

  The camera follows the girls from the village, as they run through the woods, giggling and laughing. The audience is left in a state of suspense, wondering where they are going to and what they are going to do. The audience is also introduced to the fact that the village, and especially the inhabitants, are a significant element of the film. The camera finally focuses on the girls sitting in a circle around a bubbling cauldron. Abigail and Tituba are sitting at opposite each other, with Abigail at the top of the screen and Tituba at the bottom. This signifies their roles in the events to follow, especially Abigail’s

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  The audience then see the girls throwing flowers into the cauldron and asking Tituba to make a boy from the village love them. At this point the audience become aware of the fact that Tituba is believed to have certain powers, but that she also has a certain friendship with the girls, whereby they trust and believe her. The setting of this scene, hidden from the village in the woods, suggests that the girls know they are going against the rules and laws of the village and the religion they have been brought up with, but that they are ...

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