Analyse the Opening and Ballroom Scenes In the Two Versions of Romeo and Juliet.

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ANALYSE THE OPENING AND BALLROOM SCENES IN THE TWO VERSIONS OF ROMEO AND JULIET.

HOW IS FILM LANGUAGE USED TO CONVEY MEANING?

Romeo and Juliet has been made into many plays and a few films. The two films I am going to analyse are Zeffareli’s production (1968) and Luhrmann’s production (1997).

I am focusing on the opening and the ballroom scenes of the films. The directors play a major part in the films. Zeffareli’s production is for a more mature audience. He expected his audience to have already read the play and to be familiar with the characters. It is more of a romantic genre because of the music and the way that it is portrayed. In Luhrmann’s production however, he clearly introduces the characters and this is more understandable for an audience who have never read or seen Romeo and Juliet before. This version is more of an action / western genre because of the battles being emphasized and the western music at the beginning.

How the film language is used makes the production all worth while. All aspects including location, costume, camera angles and lighting contribute to how the films are portrayed. I will explain each of the film aspects throughout this essay.

Firstly, in order to have a film, you need a location. Whilst Shakespeare chose ‘fair Verona’ a beautiful town in Italy, Luhrmann chose Mexico. It was then still seen as a mysterious place that is still unknown. It was the perfect location as he could adapt it into a more ‘cooler’ Verona. He decided on Verona beach which had a violent, sex appeal, which made the younger audience appreciate it. The setting also shows there is going to be plenty of action.This film language is used to convey meaning by showing that Verona beach was an exotic and lively place, full of community spirit. Although Verona in Italy wouldn’t be exotic, it would still have a sense of community spirit. This was shown in Zeffareli’s version. The market place was full of people talking and communicating.

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Baz Luhrmann wanted to get the prologue over clearly. He did this by repeating it three times but the voice overs also played a major part. Combining voice overs with the pictures on screen really helped Luhrmann’s audience to understand the concept of the film and what was coming towards them in the main body of the film. Zeffareli’s version only has one way of showing the prologue (voice – over) and this to him would be very important as he is only getting it across once. Voice overs are used to convey meaning by helping you understand the ...

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