Analysis of “An inspector calls” by J.B Priestly

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Analysis of “An inspector calls” by J.B Priestly

Play: “An inspector calls” written by J.B Priestly in 1945, directed by Stephen Daldry

Performers include: Tim Frances, Sophie Arnold, Jack Tarlton, Elizabeth Ross

Date: 20.10.00

Place: The Garrick theatre, London

Occasion: Year 11 GCSE drama course, theatre visit

        The entrance to the theatre was very formal. There were primary indicators before you even got into the theatre for example outside there were posters of some of the actors in the play. These made me look forward to what we were going to see and it also made me wonder how each different pose fitted into the play. There was also an extract from a review written by the ‘Daily Mail’, which created a sense of anticipation for the audience.

        Once you entered the theatre the entrance was very formal. There were more primary indicators such as leaflets and there were also programs on sale.

        The entrance to the performing space was very formal. All the audience had numbered seats and were directed to their seats by stewards. The seating was raked and the proscenium arch stage was raised above the level of the audience. This seating pattern effects the relationship between the actors and the audience. This seating arrangement makes the performance more formal than it would be if the audience and performers were closer, on the same level.  There was also a safety curtain, which was later raised to show another curtain, which was very plush and elegant. All this added to the very formal entrance. You couldn’t see any props or stage set because of the curtains but you could see the stage, which was very curious. It was wooden panels that were pulled up and dipped down and looked out of place. There was also a telephone box on the side of the stage, which had broken dirty glass windows. These focal points created interest for the audience so there was something to look at before the performance began to create interest and add to the anticipation.

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        The formality was broken slightly when a young boy came on stage before the house lights had been dimmed. Two other children came on stage and they proceeded to mess about and play without saying anything which, had the audience very intrigued as we wanted to know what they were doing.

        When the curtain rose to stage set was incredibly realistic set. There was a house which was raised about the ground level. Inside you could see people moving and also hear them. This added another layer of anticipation. ...

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