• Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

As an actor playing Ui what performance techniques would you use to affect the audience?

Extracts from this document...

Introduction

As an actor playing Ui what performance techniques would you use to affect the audience? Arturo Ui, written by Bertolt Brecht is a political parable concerning nazi Germany set in Chicago at the start of the 1900's. As an actor playing Ui I have a clear idea of how I would need to approach the role of Ui. I would have to take into account Brecht's views of theatre. A "traditional" acting approach will not be possible if I am to be faithful to Brecht's thinking. I will not be able to create my character by developing him progressively but rather through "montage", where I will need to connect all my separate actions, breaking down their continuity and keeping my audience in a constant state of alertness. As Ui is a powerful character the audience would be expecting a huge well-built man but as Brecht wanted his theatre to be anti-realistic I would play Ui as a short person almost a caricature, that does not command respect but has to earn it. At the start of the play I would want Ui to wear costume to reflect the time period and his profession so I would have him dressed in a smart flashy suit with a folded handkerchief in the pocket, a purple shirt underneath with a bow tie, braces and black shiny glistening shoes. ...read more.

Middle

could be shouted at the top of his voice and he could throw his head back and spread his arms out wide in a greatly over exaggerated movement. After this outburst Ui would quickly calm back down and is once more humble suggesting that he wants to help Dogsborough. "It's now or never. Let me save you" To show this Ui can sink to his knees and when he attempts to seize his hand, Dogsborough can remove his hand in slow motion saying his next lines while he quietly weeps "I'm washed up and I know it" At the end of the scene Ui once again has regained his dignity and saunters out with confidence. This would show the inconsistencies in Ui's behaviour. Brecht believed that the actor should not get emotionally involved with the character and should present it to the audience rather than represent it. A definite distance has to be created between the actor and the role. Instead of creating a rounded character, I would need to demonstrate the character. To achieve this during rehearsal I would speak in the third person rather than the first, as I would when performing. To show the audience the difference between myself and the character of Ui, I would use the cane that I walk with. ...read more.

Conclusion

It is not important what the scene would look like in real life as long as I am able to convey the social and "political" content to the audience. In the last scene Ui has achieved all his aspirations to take over the vegetable trade and is very jubilant. He should stroll on very slowly and deliberately, taking his time to reach the center of the stage congratulating all his bodyguards and gangsters. When he reaches the centre of his stage, he should deliver his closing speech directly to the audience starting off slowly and quietly with little movement but building up to fast loud shouting with very violent movements of the arms as Hitler would have done at this type of address. These actions should reinforce the contradiction in Ui's character. By portraying Ui as a character of conflicts, at times charming, sinister and also "comic", by exploring the possibilities for contradiction and controlled movements, by presenting the role rather than representing it, I will be trying to portray what Brecht called after Wordsworth, the "verfremdungseffekt" cultivating in the audience an objective response to the message in the play. I would hope that I would be making the audience look at things in an unexpected way while producing an enjoyable performance. ...read more.

The above preview is unformatted text

This student written piece of work is one of many that can be found in our AS and A Level Plays section.

Found what you're looking for?

  • Start learning 29% faster today
  • 150,000+ documents available
  • Just £6.99 a month

Not the one? Search for your essay title...
  • Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

See related essaysSee related essays

Related AS and A Level Plays essays

  1. Form and Structure Brecht's 'The Resistible ...

    * The Play itself is a montage of self-contained scenes. The principle of montage was that a play showed one thing after another and where each scene existed for itself; the links between events were purposely severed, creating a series of isolated incidents that the audience had to work to connect to each other.

  2. Analysis of a physical theatre performance - Under the Influence

    This was used when a newly wed was so depressed at the way live was going she killed herself and lay on the grass in front of her house wearing nothing but crockery. The sound effect made the scene that little bit more real and sent shivers running up and down my spine.

  1. : As an actor explain how you would portray the relationship between Algernon and ...

    to the first scene Jack becomes less of a Gentleman and displays his anger by distributing Aunt Augusta, I as Jack have a very upset tone and am pacing, which is one of Algernon's mannerisms. Gwendolyn enters and confesses her love to Jack, Jack is pleased and blushes, and he is once more his chivalrous self.

  2. Dogsborough is a parallel of Hindenburg and the character of Dogsborough is key in ...

    show that I am now willing to talk to Butcher and Flake. I would speak to them in an advisory manner, which would show Dogsborough to be not as black hearted as made out by the other characters. At this point I think the audience should view him warily, but

  1. The Resistible Rise of Arturo Ui Visual, Aural and Spatial Visual: ...

    * This fact; that certain situations are viewed similarly universally, was something Brecht wished to utilise in this play. He wished for the audience to be able to know what was happening at any point of the play, if the scene was in tableau with no words spoken.

  2. Language Throughout The Resistible Rise of ...

    runs throughout the rest of the prologue, to the ABBA pattern presented here. In this case, the change in rhyme scheme would be to draw the audience's attention to Ui, and make them realise the significance and power of his character; having the power to change the literary structure of

  1. The aim was to create a play that would provoke thought and raise awareness ...

    We had found out that immigrants coming into England often very high expectations of the work opportunities that England would give. "Streets paved with gold". Both Augustus and Ruby said this phrase except that Augustus said it with hindsight that, that was not the way it was and Ruby represented

  2. Community Performance project.

    together, which could have been quite confusing if very clear links are not established, the piece did not merge together in a confusing mish-mash so we succeeded in our use of the style. The final performance was very successful, everyone was much more focused than had been in rehearsals so

  • Over 160,000 pieces
    of student written work
  • Annotated by
    experienced teachers
  • Ideas and feedback to
    improve your own work