Explain how you would perform the role of the Sentry, in each of his two appearances, in order to reveal his change of attitude from his initial fear for his own life to his relief as he brings a guilty Antigone before Creon.

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Stella Kane Explain how you would perform the role of the Sentry, in each of his two appearances, in order to reveal his change of attitude from his initial fear for his own life to his relief as he brings a guilty Antigone before Creon. In the first scene where Sentry appears he is visiting Creon to inform him of the news of the body of Polynice has been buried. From the moment he arrives on stage, Sentry is petrified even from the stage directions this is shown, as it states ‘struggling... he is very frightened’ so to help this to be portrayed to the audience that Sentry is terrified, his body language would be all tense, his shoulders would be raised with his head and neck sinking between his shoulders. His facial expressions would help show that he is worried what Creon will have to say, so his eyes would be squinting with his nose wrinkled and with his eyebrows slightly raised whilst he is changing from biting to licking his lips frequently, this will help express that he’s so unbelievably nervous and worried about breaking this news to Creon even before actually speaking to him.        Another moment which would show that Sentry is terrified telling Creon about the burial is when he first speaks to Creon ‘My Lord Creon...sir! If I can hardly speak for the lack of breath... it’s not ‘cos I ran...’ the use of respecting address ‘My Lord’ and ‘...’ helps show the worry and anxiety of speaking to Creon. Sentry would perform this so his voice would be quick, but shaky, with extended pause to emphasise the ‘...’ to help elucidate the nervousness Sentry has and that he’s panicking because of the high authority Creon has. Whilst stuttering these words out, Sentry’s body would still be all tense from entering, but he would now start fidgeting and wringing his hands, to help show that he is feeling uncomfortable and uneasy.        When Sentry is rambling on to Creon and when he says ‘So I shouldn’t be punished for it, should I?’ this shows that Sentry is trying to convince himself that he’s done no wrong, he’s only the messenger of this news, he had no part in the event. So the way Sentry would perform this would be, he’d say ‘So I shouldn’t be punished for it...’ in quite a stern voice, as he’s stating that he shouldn’t be penalized for telling Creon about the incident which has taken place. And whilst saying that, he would lower his head a little, with his eyes looking up at Creon with also raised eyebrows with his mouth slightly to the left pouting vaguely, his body would be leaning forward a little with his
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shoulders tense and lifted a bit, then with his left arm would be turn in quite tense with his index finger pointing to his chest with him repeating the point movement a few times to help emphasising he’s done no wrong and he is stating this. But then Sentry would realise who he is talking too, and would become more timid when saying ‘...should I?’ as if he is questioning not just Creon about it but himself, as he would begin to think, should he be punished, has he done wrong.  So he would lower his sharp tone in his ...

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