• Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

How does Alfred Hitchcock gain the sympathy of the audience for Marian Crane in Psycho

Extracts from this document...

Introduction

How does Alfred Hitchcock gain the sympathy of the audience for Marian Crane in Psycho? Alfred Hitchcock directed the film 'Psycho' in 1960. At the end of its first year, the film earned fifteen million dollars. The film has generated three sequels and was the first "Madman with a knife" or "Slasher films." Followed by films such as 'Nightmare on Elm Street' or 'Halloween'. It was also the very first horror film that looked at something realistic like a psychiatric situation instead of fictional horror characters like werewolves or vampires. Alfred Hitchcock had his own new ideas in publicity and marketing. He made sure that everyone was seated before the film had started and that no one could enter half way through. Hitchcock had advertisements all over the place. He even went out and bought all of the 'Psycho' novels out of shops to make sure that no one could find out the ending without seeing the film. Hitchcock also asked people not to reveal the ending of the film when they came out from the cinema. By investing so much in publicity, Hitchcock manipulated the audience. More and more people wanted to see the film and there were loads of queuing people outside of cinemas all over. Violence, sexual content and even the flushing of toilets were all new to audiences. They hadn't seen a film like it before. The film was blamed for an increase of violent murders just as films are today. Alfred Hitchcock was already a famous director before 'Psycho' was made. ...read more.

Middle

The audience feel sorry for her as it shows that he is the most dominant one. When the client goes away, Marian's colleague tells Marian that Mr. Cassidy was flirting with Marian and not with her as he must have seen her wedding ring. There are a few pictures up on the wall in the office. Behind Marian, there is a picture of a desert. This matches Marians life, Barron and alone. For most of the scene, Marian remains seated with her boss, colleague and client above her. She is also at the back of the shot, which makes her look frail and weak. When the people look down on her, it makes her appear unimportant. The audience really feel for Marian, as no one seems to be paying her much attention. During the scene, you learn that everyone has a light and dark side. E.g. the client is buying his daughter a house but won the money through gambling. Also, Marians pleasant boss had a bottle of whisky stored away in his office. At the end of the scene, when Marian leaves the office, her shadow is behind her. This shows that the evil side of Marian is behind her. Marians boss gave her $40,000 of Mr. Cassidy's money to put into the bank. The audience feel sympathy for her when she says to her colleague that she will bank it and then go home to sleep off her unhappiness. When we see Marian in the third scene, she is walking into her bedroom wearing black underwear. ...read more.

Conclusion

It also makes Marion look like a victim. Again in this scene, the police officer is looking down on Marion in the car, making Marion appear weak and vulnerable once more. The audience feel for Marion, as everyone seems to look down on her as if she was worthless and didn't have any value. When the policeman eventually lets Marion leave in the car, the tense music is played to build up suspense. Marion notices that the policeman is following her when she looks in her mirror. The mirror once again shows two different conflicting sides of good and evil. The audience knows how Marion must be feeling and they feel so sorry for her as she only wants to be free, and able to live her life the way she wishes. This film unquestionably shows that appearances can be deceiving! In this scene, it appears that the police officer is the enemy when really he is there to help. Also, later on in the movie, Marion meets a seemingly pleasant, genuine man named Norman Bates who in due course turns out to be a psychotic murderer who will be the one who takes Marion's life! In this film 'Psycho,' Alfred Hitchcock uses a wide variety of techniques to gain the audiences sympathy for Marion Crane. From camera shots to the clothes she wears, he spent a lot of his time planning the ways he would reveal her. The time and money that Hitchcock invested in the film paid off in the end when the film proved to be one of the best horror films of its time. ?? ?? ?? ?? ...read more.

The above preview is unformatted text

This student written piece of work is one of many that can be found in our AS and A Level Plays section.

Found what you're looking for?

  • Start learning 29% faster today
  • 150,000+ documents available
  • Just £6.99 a month

Not the one? Search for your essay title...
  • Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

See related essaysSee related essays

Related AS and A Level Plays essays

  1. How does Hitchcock create suspense and tension in the film "Psycho?"

    curtain for support in helping her up but however Marion is not stable and falls to the ground with the shower curtain rapped around her. This again shows a sense of the private world as she is not showing any part of her body to the audience.

  2. Baz Lurhman describes 'Moulin Rouge' as "Audience Participation Cinema" - With close reference to ...

    audience that they are seeing through the eyes of Christian and it is blurred due to the fact that he is drunk on Absinthe. There is a sudden very fast reel of jump shots, displaying different aspects of the Moulin Rouge with close ups of the brightly coloured skirts worn

  1. How does the Director encourage the audience to feel sympathy for Derek and his ...

    Derek's companions proceed to break into a nearby shed while he "relieves himself" against a tree outside. This distances him from the action, separating him from the other troublesome youths. Derek is shouted from within and told to join them.

  2. "In 'Psycho' how has Alfred Hitchcock created tension throughout the film and what effect ...

    Arbogast is following up Marion Crane's disappearance. Having questioned Norman Bates about the issue, he then decides to attempt to interrogate a mysterious figure he sees sitting in the house window. Hitchcock uses a variety of media techniques in order to convey the impression that the house is very frightening.

  1. Form and Structure Brecht's 'The Resistible ...

    He wished the play to tell a story and tech the audience, rather than them become involved in the drama emotionally, and leave feeling purged of emotions, without having learnt anything or acquiring the determination to behave differently towards certain situations or people.

  2. 'Spiderman' and 'Ivy the Terrible'

    geek, he wears rounded spectacles and has a rounded jaw, all this suggests he his timid and weak. The man in the fourth frame has slick blonde hair a square jaw and more definite cheekbones, all this suggests strength and a certain degree of confidence.

  1. In a 1963 interview, following the phenomenal success of "Psycho" Hitchcock agreed with his ...

    Text then appears at the bottom of the screen telling the audience the time and place; "Phoenix, Arizona / Friday December 12 / Two Forty-Three PM" - this style has a crime-scene aspect to it suggesting trouble. Already Hitchcock has been able to manipulate the audience into thinking something sinister has happened.

  2. In what ways is "Psycho" (Alfred Hitchcock) a film for the modern audience? ...

    Many modern films obtain credit just because their scenery was "pretty" and the special effects were "amazing to watch", but none on the actual plot. This is exactly why films today are not necessarily better than those in the 1960s.

  • Over 160,000 pieces
    of student written work
  • Annotated by
    experienced teachers
  • Ideas and feedback to
    improve your own work