• Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

Scottish Widow Production Report.

Extracts from this document...

Introduction

Scottish Widow Production Report. 1. Brief and Research BRIEF: to produce the opening of a new thriller, including titles, aimed at a 15 or 18 certificate audiences. Mainstream audiences are still characteristically thought of (by Hollywood mainstream producers) as 18-25 and male, but recently there has been some evidence of lowering the age to 15 and recognising that a mainstream audience includes women. The use of mise-en-scene in thrillers to create suspense is approached in many different ways. In American Psycho for example the locations are used to reflect the protagonist's contrasting civil behaviour with his nasty, and psychotic personality. This is demonstrated by locating the character's first, in a very posh and expensive-looking restaurant, and then in a modern nightclub were we gather not all of this man's peers consist of suit and tie; the music changes accordingly and is also a huge reinforcement. Lighting is a powerful technique, perfect for demonstrating the contrasts between good and bad. Darkness becomes associated with terror, and the audience can expect something terrifying to happen. The use of reflection helps to make the audience feel more vulnerable. American Psycho uses this technique when the main character introduces us to his disturbed side; he becomes more powerful as his reflection haunts the shot. Close ups help demonstrate particular feelings that certain characters have and also highlight key elements within the shot. Zooming in does the same, and almost always in thrillers the camera slowly zooms in to intensify the situation. ...read more.

Middle

In terms of location, most of the sequence was to be filmed in a church - such a setting is perfect for the narrative and even more so in respect to the magnificent d�cor and connotations of holiness that it brings. The rest of the sequence however, would be in a setting that most reflects the protagonists normal lifestyle, so in order for location to maximise this sense the most appropriate setting would be the home. The home is comforting, safe, and a definite place of normality so these characteristics associate themselves with the said character and allow the audience to feel unthreatened by him. We had no intention of favouring over which sex the mainstream production should be aimed at, the hope was that it was suitable for anyone as there is no gender dominance and only one character introduced. 3. Constructing the Production As we began to edit the sequence following unsuccessful filming on several accounts, it became apparent that due to filming problems beyond our control we needed both to rewrite the narrative and again do further filming. This set us back immensely and we found ourselves filming closer and closer to the final deadline. The problems consisted of many things from unreliable group members to inefficient equipment and limited time available in which to film a well lit sequence. Though the narrative did not change too radically, we still had to endeavour in finding new uses of the useful footage we had, and merge it with the new shots to produce a plausible production. ...read more.

Conclusion

There are quite a few improvements I would make to the production if given the chance, such alterations would definitely better the opening and would probably make all the difference to the final evaluation. There should have been more intrigue induced over the character in the first location, with possible links through the use of props to the next; giving a personality that could contrast with her behaviour inside the graveyard. There is also the problem of shot length: on several accounts, for example in the first shot in which I walk down the stairs, the editing cuts too early or too late; creating a lacked a sense of completion to it. Also, the framing of shots could have been bettered like in the final two in which a transition merges them together; if the shots were both framed evenly the effect would have seemed greater and more professional. Finally the music in the first location wasn't totally perfect. Although the track itself is very powerful in evoking character, it was only a thirty second long sample so we had to repeat it in order to fit the length of the first scene which is quite a noticeable error. The finished production turned out to be a lot better than we thought it would, and considering the problems and errors we were faced with, the production has been effective at creating meaning and generating response and is suitable for a thriller. Alice Crimini ...read more.

The above preview is unformatted text

This student written piece of work is one of many that can be found in our AS and A Level Plays section.

Found what you're looking for?

  • Start learning 29% faster today
  • 150,000+ documents available
  • Just £6.99 a month

Not the one? Search for your essay title...
  • Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

See related essaysSee related essays

Related AS and A Level Plays essays

  1. How do the micro elements cinematography and mise-en-scene contribute to the creation of a ...

    The Shot types that are used in this sequence are mainly Close up (CU) shots, these are used to show the reactions of the characters faces for example when the protagonist walks into the cellar there is a close-up as you see how he reacts to the cellar as it is very dark and cluttered.

  2. What do we learn about New York and the programmes themselves through the openings ...

    The bright lighting, clear skies and shining sun are also signifiers that inform the audience that New York is a happy place to be, and that on the whole, Carrie is content with her life. The lack of shadow apparent is also very important, showing that there is a lot of good in the city of New York.

  1. Media Production

    all the material that we had so we could work with it on the computers. Decisions were made by some voicing an idea and then having a discussion on the subject and then having either voicing it or someone just saying that they like the idea and either at this point the majority agree or disagree and oblige accordingly.

  2. Production Log - Thriller Project The brief task was to produce an opening sequence ...

    I decided to use my own as I felt more comfortable and it was useful for charging at any time. Our first shooting didn't go well as we tried to capture everything on one day. We improved, and planned effectively via the use of a production schedule.

  1. How do one or two of mise-en-scene, cinematography, editing and sound create meaning and ...

    The silhouettes look intimidating, mysterious and dangerous. This tells the audience that they are dangerous and will pose a threat to Billy getting on the plane. The audience now are uncertain of Billy's safeness for the rest of the sequence.

  2. 28 Days later - Analyse how the mise-en-scene, cinematography, editing and sound create meaning ...

    confusion and as often the shots have something in the forefront of the frame, such as a gargoyle, it makes it feel that something is peering out watching him. Other aspects of the Mise-en-scene such as the iconic red London Double-Decker Bus turned over is a really powerful message as to the scale of the disaster.

  1. Log of Film production.

    What makes them so successful?. We researched into their storylines and the period the films were set. This would allow us guidelines into good psychological thriller and other thrillers, and allow us to model our piece around some of the greats, such as those by 'Alfred Hitchcock', and manipulate our audience the same as many of his films did.

  2. How did design elements contribute towards the final production?

    Although characters did not interact with this rubble, they respected its presence and so the arrangements acted as boundaries which contained the action of a scene.

  • Over 160,000 pieces
    of student written work
  • Annotated by
    experienced teachers
  • Ideas and feedback to
    improve your own work