• Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

The form and structure of 'Greek' is one of many factors in which Berkoff has decided to put across his intentions to an audience.

Extracts from this document...


Gemma Singh GREEK By STEVEN BERKOFF FORM AND STRUCTURE The form and structure of 'Greek' is one of many factors in which Berkoff has decided to put across his intentions to an audience. Form can be defined as a shaping principal either in its widest sense (where it is overlapped with genre) or in its specific sense, where it was a discoverable organising principal within a work. Structure can be defined as the action of building. The word carries the sense of the process of building, organisation (scenes, episodes etc.) 'Greek' is considered to be an epic play (spanning a lot of time and distance - as it manages to cover 10 years), structured as series of episodes taking the form of a story in its own right. The play consists of 2 Acts. Act 1 is comprised of five scenes and Act 2 is comprised of four scenes. 'Greek' has a combination of short and long scenes covering different periods of time. ...read more.


"went to a gypsy fortune-teller", whom told them that "he sees a violent death for his son's father" and that he'll have "a bunk-up with his mum". This not only disturbs his mum and dad but the audience are left lingering with a mixture of unsettling emotions. In order to explore and understand this technique, the entire class participated in a workshop, where we were separated into partners. We were then appointed a task to each remember either a happy or sad memory. Next we shared our memory to our partners whom listened attentively. Once we both shared our memories, one person was chosen from each group to retell the memory (they had just been told), in the first person animating it with physical moment and facial expressions. Laura Bell was my partner; she was selected to retell my unfortunate memory. A brief synopsis of my memory was that I fractured my ankle in a netball match and wasn't able to partake in a fun filled netball trip for a weekend. ...read more.


Also the play consists of a prologue, introducing the play, giving the audience an insight to Eddy's life as well as setting the scene. Berkoff usually minimises props and sets and liberally uses costumes, lights and physical theatre. In particular to 'Greek' on stage there is a kitchen table and four chairs (which function in a number of ways - from the platform for the Sphinx to the caf�). The use of the table and chairs is to merely define spaces and act as a base for the actors to spring from. The walls are three square upright white panels, indicating Greek classicism. The actors' faces are painted white reefing to Greek statues. The style of minimising and props and sets etc. can be interpreted that the audience focuses on the actual acting. The use of physical theatre is very dramatic and striking. An example, of Berkoff's style of physical theatre can be seen when Eddy and the manager of the caf� (Eddy's real father) engage in a verbal fight - where they mime the fight, "haemorrhage, rupture and swell. Split and crack lock, jaw sprung and neck break". This is just as engaging for the audience. ...read more.

The above preview is unformatted text

This student written piece of work is one of many that can be found in our AS and A Level Plays section.

Found what you're looking for?

  • Start learning 29% faster today
  • 150,000+ documents available
  • Just £6.99 a month

Not the one? Search for your essay title...
  • Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

See related essaysSee related essays

Related AS and A Level Plays essays

  1. The Accidental Death of an Anarchist - Form and structure.

    The Maniac is a classic example of the jester character that controls the play and talks to the audience. Fo uses farce and slapstick to explore social and political issues. Farce is light, comic piece in which the characters and events are greatly exaggerated to produce broad, absurd humour.

  2. Westside story, form and structure

    We each held a pose for a few seconds and began walking around the room keeping eye contact with everyone especially those in the opposite group.

  1. Accidental Death of an Anarchist - Form and Structure

    We as an audience are first reminded that it is only a play, then we are absolutely caught by the actions and then in the end we are torn out again by the break from the script and the two endings.

  2. Discuss The Ways In Which Ritual Is A Key Element In Both Content And ...

    Also the play is written in two acts but they appear to mimic one another in that Vladimir and Estragon are still waiting for Godot. No information is given to the audience to help us contextualise it.

  1. Using your knowledge of relevant theories (for example from team working and organisational structure), ...

    This could not happen in a flow production since every worker has to perform individually. Janis (1972) found out that within a group the ability of decision making can be reduced by something he termed groupthink. He defines that as a "detoriation of mental efficiency, reality testing and moral judgement

  2. Language in metamorphosis by Berkoff

    of isolation and the time in which he is given to reflect due to this. By using direct address, the actors are able to break down the "fourthwall", meaning the audience was not simply a spectator, but instead became mentally involved in the issues presented.

  1. As a Director, How Would You Use Comedy to Indicate Your Dramatic Intentions?

    There would be a suspended 'fairy bed' for Titania in the middle of the stage. This allows her to be onstage, but away from the action so she is not noticed until needed. I would highlight her presence with a pink light on her.

  2. Form and Structure of 'Two'

    Then turns directly to the audience. Here I am at the end of my day. Taking my reward from the glass. He's at home, he can't come out, too crippled dear...' As this is happening the other character off stage is getting ready for the duologue between the characters doing

  • Over 160,000 pieces
    of student written work
  • Annotated by
    experienced teachers
  • Ideas and feedback to
    improve your own work