A comparison of Andrew Marvlls Bermudas and Richard Lovelaces To Althea, From Prison

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A comparison of Andrew Marvll’s ‘Bermudas’ and Richard Lovelace’s ‘To Althea, From Prison’, with specific focus on contextual factors.

The first poem I have selected is Andrew Marvell`s ‘Bermudas’, which appears to be a narrative poem with a distinct beginning, middle and end. The opening quatrain establishes an omniscient narrator, who introduces the characters (the sailors) and establishes the setting, ‘where the remote Bermudas ride...from a small boat.’ The poem is not autobiographical as Marvell never visited Bermuda, and as such this makes it unlikely that he is the narrator. He did however live in the house of John Oxenbridge, a man who had visited Bermuda twice, and this suggests that the poem may be a hyperbolic account of Oxenbridge`s experience of the Bermudas, ‘gave us this eternal spring, Which here enamels every thing.’

          The shift from the first narrated quatrain to the ventriloquised sailors song appears to be Marvell attempting to distance himself from the implied criticism within the song, ‘An isle so long unknown, And yet far kinder than our own?’ This would have been for his own safety, as the poem was written at a time when criticism of Cromwell was punishable with imprisonment. The poem concludes in another quatrain, once again from the perspective of the narrator. Although it appears rather optimistic in tone, ‘Thus sang they...An holy and a cheerful note,’ the fact that the sailors are still rowing, ‘with falling oars they kept the time,’ suggests that they have not landed on the grassy stage mentioned in the song. This implies that the paradise described is fictional, perhaps even unobtainable. This could represent Marvell`s opinion of the puritans attempts to find somewhere less corrupt than England, as there is debate regarding whether Marvell was truly a roundhead (and consequently whether he was a puritan), and it has been suggested he only aligned himself with Cromwell because it made political sense.

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          The poem has many religious connotations which can be understood with contextualisation. The sailor’s journey and arrival at the island paradise loosely parallels the Israelites story told in the book of Exodus, and the comparison is then further developed. The line, ‘safe from the storm and prelates rage,’ suggests that the sailors are escaping religious conflict (presumably that between the Catholics and Puritans) by going across the sea, the same way the Israelites escaped. Towards the end of the poem the sailors express their desire for, ‘a temple, where to sound his name,’ which is ...

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