A Comparison of how the poets in 'Joining the Colours' and 'the Send Off' present the soldiers going into war

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A Comparison of how the poets in ‘Joining the Colours’ and ‘the Send Off’ present the soldiers going into war

Both poems are similar in that they represent soldiers going to fight for their country.

Their actions and emotions towards this show where the poems differ.

“The Send-Off” is about soldiers almost being forced to fight, they are lining up to get onto the train with “grimly gay” expressions, and Owen describes their faces, using an oxymoron. “Grim” being the reality– their fearful emotions and “gay” being a ‘façade’ to the on-lookers. “Joining the Colours” has different imagery here – “There they go marching all in step so gay!” The soldiers seem excited, clearly unaware and naïve to the outcome. They’re perception is that the war will be patriotic and thrilling and this shows the possibility that the poem is set at the beginning of the war. “Down the close darkening lanes they sang their way,” the soldiers are singing out of fear as a comfort – rather than cheerfulness. In ‘Joining the Colours,’ Hinkson illustrates the men saying goodbye to their family, however in ‘The Send-Off’ the station is described as being silent as it is well into the war, where many women were evacuated or working. “Dull porters and a casual tramp,” Owen describes the people as “staring hard” as if they have pity for the men however feeling glad they are not fighting. ‘Joining the Colours’ describes the noise and excitement – presenting an element of energy and emotion which ‘The Send-Off’ doesn’t have. This is due to the reality of ‘The Send-Off,’ in ‘Joining the Colours’ people didn’t know the reality but Owen did and used the imagery of a ‘silent, emotionless’ station where the excitement does not exist.

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        When Owen says “so secretly, like wrongs hushed-up, they went,’ it presents the fact that the soldiers are doing something wrong and the irony from the description of “wrongs” when there is nothing the soldiers can do. ‘Joining the Colours’ almost seems like a “wedding day” where “tin whistles and mouth organs” were blown, out of joy and optimism. Wilfred Owen, in line 13, almost refers to the men as being quite ‘generalistic’ and almost unimportant, “we never heard to which front these were sent.” The sentence also seems quite uncaring, as if it doesn’t matter that they do not ...

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