A critical appreciation of 'Mental Cases', by Wilfred Owen, showing its relation to other war poetry.
Ana-Maria Fernandes 12WB
A critical appreciation of 'Mental Cases', showing its relation to other war poetry
'Mental Cases', by Wilfred Owen, was first drafted at Ripon in May 1918 and revised at Scarborough in July. It was originally called 'The deranged'. 'Mental Cases' could be described as poetry of the time, as it reflected the horrific after effects of war.
In this poem of three stanza's Owen shows how soldiers have become 'mental cases' as a result of experiences in the war. The first stanza starts with a rhetorical question 'Who are these'. Here Owen is trying to establish an identity of the soldiers. The 'twilight' shows that they do not know where they belong, either in night or day and 'rock they, purgatorial shadows' symbolizes their state of mind and health, they are rocking backwards and forwards, in the dark.
The heavy assonance in 'drooping jaws that slob their relish', makes the reader cringe at what the soldiers have been reduced to, it gives the impression of animal imagery and shows that the soldiers have no identity The onomatopoeic nature of 'slob' and 'drooping' force the reader to face the horrific images. The line of the poem is brought down to show what the soldiers have been reduced too. The assonance of the double 'e' sounds in 'teeth that leer like skulls teeth wicked' is a sharp and inhumane image. The choice of words used show how the bare bones of the soldier have been exposed as the 'skull' has stripped the soldier of everything.
A critical appreciation of 'Mental Cases', showing its relation to other war poetry
'Mental Cases', by Wilfred Owen, was first drafted at Ripon in May 1918 and revised at Scarborough in July. It was originally called 'The deranged'. 'Mental Cases' could be described as poetry of the time, as it reflected the horrific after effects of war.
In this poem of three stanza's Owen shows how soldiers have become 'mental cases' as a result of experiences in the war. The first stanza starts with a rhetorical question 'Who are these'. Here Owen is trying to establish an identity of the soldiers. The 'twilight' shows that they do not know where they belong, either in night or day and 'rock they, purgatorial shadows' symbolizes their state of mind and health, they are rocking backwards and forwards, in the dark.
The heavy assonance in 'drooping jaws that slob their relish', makes the reader cringe at what the soldiers have been reduced to, it gives the impression of animal imagery and shows that the soldiers have no identity The onomatopoeic nature of 'slob' and 'drooping' force the reader to face the horrific images. The line of the poem is brought down to show what the soldiers have been reduced too. The assonance of the double 'e' sounds in 'teeth that leer like skulls teeth wicked' is a sharp and inhumane image. The choice of words used show how the bare bones of the soldier have been exposed as the 'skull' has stripped the soldier of everything.
