An exploration of Shakespeare’s presentation of the different forms of love in 'The Winters Tale'.

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An Exploration of Shakespeare’s Presentation of the Different Forms of Love in “The Winters Tale”

There are several relationships within “The Winter’s Tale” and a number of different forms of love between the characters. We see the childhood friendship between Leontes and Polixenes develop into a bitter rivalry, a true friendship grow between Paulina and Hermione out of the devastation caused by Leontes, the pure romantic love between the two youngest characters, Florizel and Perdita, Hermione’s loyalty and everlasting love for Leontes despite his furious jealousy. These relationships have different effects on the characters and help reveal new aspects of the characters to the audience.

There are two distinct halves to "The Winter's Tale" - it is set in bitter, claustrophobic Sicilia and warm, happy Bohemia. The atmosphere of each country affects the relationships in the play – most are formed in Bohemia and destroyed in Sicilia.

In this essay I will discuss the different types of love which Shakespeare presents to the audience. I have chosen to examine the way each character loves individually, rather than in pairs, as in each case the two parties have very different perceptions of their relationship.          

        The main romantic relationship Shakespeare presents throughout "The Winter's Tale" is between Leontes and Hermione, King and Queen of Sicilia and the audience witness the sudden changes which occur in their once loving relationship.

        Leontes is presented to us as an obsessive, possessive and irrational man. He sees women as objects, devoted to him and taking care of his childish behaviour.

We see that Leontes is a passionate, obsessive man almost immediately in Act One, Scene Two. Leontes is attempting to convince Polixenes to stay and requests Hermione’s assistance. When she succeeds, however, he becomes suspicious of the closeness of their relationship and implies Hermione has never shown him such conviction - even making him wait “three crabbed months” before agreeing to marry him. The bitterness Leontes feels is clear from his harsh language and it seems that his jealousy has tainted their past as well as their future.

His irrational nature is also quickly revealed to us:

           Too hot, too hot!

        To mingle friendship far is mingling bloods.

        I have tremor cordis on me: my heart dances;

        But not for joy; not joy.

This speech shows the audience a lot about Leontes character – he is passionate but bad-tempered and jealous, and these traits would obviously affect the way he loves. The structure of his speech demonstrates his frame of mind – the repetition in almost every line shows he is angry and not thinking clearly.

Later, when he speaks to Hermione and Polixenes, Leontes recalls his childhood in Bohemia – it could be construed that at this point he exposes his real opinion of Hermione:

              My dagger muzzled,

        Lest it should bite its master, and so prove,

        As ornaments oft do, too dangerous

His metaphor suggests that Hermione is nothing more than a possession or adornment. He later uses the metaphor of a “pond” for women showing he has no respect for his wife or any other woman and reiterates his claim that all women are treacherous. Leontes passionate, obsessive personality causes problems in his relationships as he seems to react violently to everything, without considering the effects of his actions on others.

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Leontes confides in Camillo, giving him the precise details of the basis for his suspicions of their relationship:

        Is whispering nothing?

        Is leaning cheek to cheek? Is meeting noses?

        Kissing with inside lip?

Leontes describes these things as though he has actually seen Polixenes and Hermione together but the audience know that in truth he has not, although he clearly believes it has happened. This reveals Leontes’ powerful imagination to the audience and we see how this may affect his relationships – he cannot see things rationally and it seems no-one can convince him that he may be overreacting.  

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