Compare and contrast the opening sequences of 'Emma' and 'Clueless' in order to evaluate their success as media texts.

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Jaspreet Kaur Dhami

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Media Coursework

Compare and contrast the opening sequences of 'Emma' and 'Clueless' in order to evaluate their success as media texts

Media texts are written or presented pieces of information some for entertainment and other for educational purposes. 'Emma' is a novel written by Jane Austin, it was written in the year of 1816, then, was later developed into a film in the year 1996. 'Clueless' is a modernised adaptation of ‘Emma’; 'Clueless' was released in the year of 1995. The two films' target audiences' are totally different. The target audience of 'Clueless' is teenagers as it instantly grabs the audiences' attention in the opening sequence, but 'Emma' does not really appeal to teenagers, 'Emma' seem to have the impact on teenagers, that 'Clueless' does, 'Emma' also doesn't seem to be as interesting as 'Clueless' to teenagers in the opening sequence.

The sound tracks, music and voices are just as important as the backgrounds, colours and settings which are used to show effectiveness and also due to the types of music composed for certain audiences. The sound track of 'Emma' is very slow and motionless, totally unlike the sound track of 'Clueless'. The sound track for 'Emma' is composed by Rachel Portman, specifically for the film, but the music in 'Clueless' is taken from The muffs (Kids in America) and from David Bowie (Fashion Girl).

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The voices used in 'Emma' are very different to those in 'Clueless', you realise this in the opening sequences as, in 'Clueless' the main character, Cher talks directly to the audience, she says, 'So, okay your probably thinking is this like a sea commercial, but actually I have a way normal life, I get up, brush my teeth and pick out my clothes'. If the character of 'Emma Woodhouse' was to say this she would sound more formal and say something along the lines of, 'you are probably wondering is this a sea commercial or something, I actually have ...

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