"Consider the dramatic functions ofthe fool in King Lear".

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"Consider the dramatic functions of 

the fool in King Lear"   Hannah veseli

The fool's dramatic functions reach far further than is first obvious on the surface of his character. Although he is not without wit and humour, his usually gaiety has been soured to suit the high tragedy that is paramount to King Lear. His presence in King Lear, is not just to show the folly of the king (which is his actually job) as in other Shakespearean plays, but rather he has many other important dramatic functions.

Having said that his gaiety is soured, he does provide a contrast to the otherwise perennial gloom that surrounds King Lear. This is used for a number of reasons; firstly if Shakespeare was to simply concentrate on the tragedy and not include any 'comical moments', the gloominess would become monotonous. However by adding contrast, almost by juxtaposition, it emphasises the depth and seriousness of the tragedy. This is especially true when one thinks that the fool's gaiety is less humorous than his predecessors, and in many cases simply common sense. This common sense provides a comparison with Lear's madness, once again emphasising the depth of it. A prime example of the fool's common sense, compared with that of Lear's madness is in the 'mock trial scene'. When Lear is 'putting Goneril on trial' (using a stool to represent her), the fool says 

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"Cry you mercy, I took you for a joint stool";

Although this is said with a comical tone, it also points out the seriousness of the Lear's madness, as he could mistake a stool for his daughter.

 Another function of the fool is to be an apparatus for Lear's good characteristics. This is especially true for the first section of the play, where we see none of Lear's redeeming characteristics through any other source other than the fool. An example of this is when Lear has gone mad, and is out in the storm. When the fool finally persuades the ...

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