Frost also portrays nature in an emotional, spiritual as well as sensual way. The effective use of the various forms of imagery stands out very clearly, bringing out these aspects of nature. The different kinds of imagery used in “After Apple-picking” brings out the sensual qualities of nature and how man is able to relate to them. The visual image of “magnified apples appear[ing] and disappear[ing]” and how “every fleck of russet [shows] clear” appeals to the human sense of sight. The “rumbling sound” of the load of apples, the fruit to “Cherish in hand”, the “scent of apples” all appeal to our other senses of hearing, touch and smell. Hence, this seemingly ordinary routine of picking apples is brought to a much deeper level, that as apples are picked, man and nature establish some sort of connection, bringing them closer together.
Another concern to Frost was the relationship between human beings. Throughout his life, Frost explored the different facets of it, and his opinion changed over time as he himself discovered more to life. In “The Tuft of Flowers”, Frost first proposes the notion that he as well as the person who came before him are both “alone,/as all must be…whether they work together or apart”. He believed that human beings live isolated lives, despite being in close proximity. The distancing of the two men bring out Frost’s opinion that even as people work near together or apart, they are alone, separate entities doing their own work. Likewise, in “Mending Wall”, Frost also wrote that “We keep the wall between us as we go” and “Good fences make good neighbours”, once again highlighting his point that human beings live in isolation.
Another way which Frost views human relations is that he thinks that though humans are separated as individuals, we are social beings and have that spiritual bond with other human beings. This is shown in the “The Tuft of Flowers” as he eventually comes to the epiphany that “men work together…whether they work together or apart” as well as the incident in “Mending Wall” where he “let [his] neighbour know beyond the hill;/And on a day [] meet to walk the line”, showing his willingness to consider that human beings do possess some kind of spiritual bonds with one another and that thought apart, they are in solidarity. Here, in fact, we see Frost’s ambivalent attitude towards isolation and solidarity. It seems as though he is unable to come to a firm conviction over which he believed in, but still, this helps us to explore one of the issues which perhaps perplexed Frost during his time.
Frost in a couple of his poems did write about the idea of work and what it meant to him. In “The Tuft of Flowers”, we see Frost exploring the relationship of men as they do work, how they may seem alone at first glance but this loneliness is dissipated as men “feel a kindred spirit to [their] own”, which is the invisible presence of the men who have came to do the same work before them. Frost also expresses another opinion of work, which is that he believes in the value of hard work, as he so aptly expresses in his sonnet “Mowing”, that “the fact is the sweetest dream that labour knows”. The pleasure at the result of hard work is what should be looked forward to.
Finally, Frost also looked at the idea that all life has its end and also realises the mortality of man. In “After Apple-picking”, Frost expressed this view that “for [he] had too much/Of apple-picking: [he] is overtired”. He understands and is aware of the “long sleep” – death, which will eventually come. It shows the maturity of a man who apprehends the cycle of life and death of this world. He does not want to leave before his work half-done though and writes in his poem “Birches” that “may no fate…half grant what I wish and snatch me away/Not to return”. Frost in this sense also recognizes the value of productive living before he is taken away by death.
