Discuss these two views and consider any other response of your own, as regards the behaviour and character of Hamlet.

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‘Even with his death, Hamlet has achieved nothing.’ - O’Toole

‘Finally, He has not failed.’ – Granville Barker

Discuss these two views and consider any other response of your own, as regards the behaviour and character of Hamlet.

Johann Chipol

      The play ‘Hamlet’ contains some of the most debatable choices ever written. Allegedly inspired by ‘The Spanish Tragedy’ by Thomas Kyd, It emphasizes on a hero’s emotional dilemma. Many of these decisions were acted by the character Hamlet who is a man filled with contracting thoughts. Because of his state of mind, the majority of his acts ended with frustration and fatal consequences.  This raises an important question, should the audience feel sympathetic towards him or should they see him as failure for his lack of motivation.  In order to understand Hamlet’s character and his reasons for his actions, one needs to understand the manner in which he pursues his revenge mission, and the different interpretations of these views.

     Hamlet’s desire for revenge is continually manipulated by the actions of the other characters as well as developments of his situation.  A definite feature is how he procrastinates almost every important act needed to avenge his father’s death. This mental act has created various theories from critics. Harbage suggests that Hamlet suffers from a ‘lymphatic temperament’, who is a type of person who lacks the ‘energizing temperament to act’.  This very physical view is a very far-fetched theory which is later proven wrong in the final scene of the play. Even though Hamlet describes himself as being the ‘fat and scant of breath’ and refers to ‘sullied flesh’, he proves in the fencing competition with Laertes that he does have the ability to kill Claudius. So why was there such a hesitation to perform the murder if he was physically capable?

       Other critics offer a more psychological approach to Hamlet’s procrastination. Coleridge’s theory expresses that Hamlet has the ‘innate quality’ of being too introspective, which shows how his intelligence was one of his ‘fatal flaws’ in this tragedy. But this contradicts all of Hamlet’s impulsive actions, such as the killing of Polonius.  The cowardly reaction by Polonius made Hamlet stab him through the curtain. This takes the audience completely out of the spectrum of Hamlet’s original character. Hamlet’s first attack in the play and it ironically was accidental. This may have an act of mistaken identity, possibly believing that it was Claudius behind the curtain. But after so many opportunities to kill Claudius at an earlier time, what possessed him to attack at that moment? This irrational murder had many repercussions which again manipulated his situation. In an ironical circumstance, the attack did not fulfil the ghost’s task; his reputation has been tarnished and has gained nothing from this experience except personal satisfaction.

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Lines 37-38 from Act 3, Scene 4

‘Thou wretched, rash, intruding fool, farewell!

I took thee for thy better.’

     I believe that Hamlet’s confused behaviour may be that of depression. Bradley’s ‘Melancholy Theory’ suggests that the direct cause of Hamlet’s delay was ‘a state of mind that is quite abnormal and induced by special circumstances’. These circumstances can easily be related by the audience as they have witnessed the events. Hamlet has been labelled as ‘a victim of circumstances’ from the very beginning of the play. Because of his unfortunate loses and his lack of involvement in ...

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