"Dulce Et Decorum Est" - a general overview

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SHAMIMA SHALLY

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At the top of the second stanza of “Dulce Et Decorum Est” the first two words are: "Gas! GAS!” Wilfred Owen did not write those words simply for the visual impact on the page. His purpose seems to be wanting to tell us that maybe the first cry was the instant, almost lazy reaction to something he had seen a hundred times before, but that second cry was one that was a real warning. It doesn’t seem as if these two words were to be read in the same way. The “quick, boys!” contrasts with the slowness of action that the verbs create in the second stanza i.e. “fumbling”, “stumbling”, “flound’ring” and “drowning”.

A great example of using punctuation for texture is the ellipses in line 12, which shows us that this image trails off, and that fragment of extension gives a sense of the rhythm and the mood of the narrator at that point in time. The use of alliteration in “knock-kneed” seems to emphasise the jitteriness of the soldiers and the way they were feeling “drunk with fatigue”. The powerful strength of Owen’s feelings is shown in clear blocks of thoughts within this poem.

“Peace” by Robert Brookes is unusual in the sense that it is a sonnet and yet, is split into two stanzas. This may be because in the first stanza, Brookes is writing about the world that had “grown old and…weary” whereas in the second stanza, he writes about the men at the Front who “have found release” from the world and are doing something to achieve that elusive goal of peace. The assonance in “old and cold and weary” gives the feeling of tiredness and the poem dragging along gradually. Brookes shows clear blocks of thought in this poem. The imagery of “Death” at the end seems to provoke feelings of peacefulness and “release” instead of the normal feelings of fear. This could have been a way to comfort themselves: knowing that they are going to a better place if they should die as they fought and died an honourable death for their country.

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“A War Film” by Teresa Hooley uses alliteration and assonance in the second stanza where “shells scream” within her mind. This stanza is also unusual in the sense that Hooley writes about “machine-guns” and that is what the stanza looks like – an abstract machine-gun. Different themes or ideas run through the different stanzas. As her thoughts and feelings change over a period of time. The fourth stanza makes the subject of war more personal to the narrator as she is imaging her son “rotting in No Man’s Land, out in the rain” - rain being the metaphor for ...

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