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AS and A Level: Anthony Burgess
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- Peer Reviewed essays 1
Each part begins with the same question to the reader: "What's it going to be then, eh?" which at the start appears innocuous as they decide on their night's dwellings. But this is repeated in the beginning of the second part as Alex is imprisoned; the same question now has an alternative meaning, his future looks bleak and he is sentenced to a stint in prison because of the murder he commits. Instead of an innocuous question, it now is a meaningful question in the readers head evoking empathy by the uncertainty of his punishment and the impending circumstances of the 'staja'.
- Word count: 1216
A Clockwork Orange. The extract we are presented with shows us the scene in part one of A Clockwork Orange when Alex and his droogs rape an innocent young woman, referred to in the extract as a devotchka.
The overall effect of this is that the boys forcing the man to watch the rape of his wife predicts, in a way, what will happen to Alex in Part Two. In both cases, the men are having their free will stripped off them to a certain degree and must encounter something very displeasing and uncomfortable to his nature. The dystopian form also includes the way in which Alex and his droogs act. They keep the citizens isolated at night by keeping them inside their homes.
- Word count: 1169
Anthony Burgess's novella "A Clockwork Orange", written in 1962, explores the destruction of the lives of the protagonist's private worlds and presents a potential nightmarish society. The reader sees the mindless violence preformed by Alex and the Droogs
This is a dilemma that is never solved in Alex's private world. Burgess created a character that has to go to the furthest extent to feel free; it seems that he was made evil by the government, perhaps presenting an artist, as he approaches the ultra violence as though it was a piece of art to be admired, the "malenky crèches" from the wife with the beating of "Dim's fisty work" seem like music to Alex, Emphasised by the "dancing around" Dim did at the same time.
- Word count: 1308
If that is the case then we can see The Eusa Story as partly an allegory of the cold war, part speculative vision of its outcome. Looking back, the notion of a nuclear war actually occurring may seem a somewhat farfetched concept, however to people at the early 80s there was a real fear of nuclear annihilation. As a result of the nuclear war the so-called "Bad Tyms" occurs. A time where civilisation collapsed, nothing would grow and humanity was practically wiped out.
- Word count: 2162
The conditioned versus an unconditioned response technique is a major factor in Alex's transformation toward becoming an acceptable human being in society. During the first half of the movie before Alex undergoes treatment, he is shown with his fellow "droogs" or his small four member gang that creates havoc throughout England with their acts of "ultra-violence" where they commit heinous acts of violence and on random victims. Alex and his droogs are shown in the first scene of the movie at their favorite local hang out joint called the Korova Milkbar where they indulge themselves in drugged milk beverages.
- Word count: 1765
Alex gives music Godlike reverence and will use violence to ensure his appreciation of it. Alex and his Drogues posses the power of destruction in is this chapter. They start off in a stolen car, then push it into the river. Afterwards they tear apart the upholstery in the train, they destroy these things without fear of retribution. Burgess shows how the gang have the power to do anything that they wish, this is reflective on the modern youth , they rove around in gangs committing acts of vandalism, theft and assault. Burgess is showing how the youth of today have the power to do anything and get away with it because there is not enough police, as well as that the streets are unsafe for the general populace to go out at night.
- Word count: 1010
So why did I choose to do this? 'The Jerry Springer Show' is a dysfunctional show and Alex is a dysfunctional character. Jerry Springer's show is amoral TV; it is outrageous, shocking, scandalous and hilarious. The show has no limits. Nearly all stories have major big twists that unfold as more guests get called out. These guests often get violent and try to kick and punch other parties involved, whilst typically Jerry tries to redeem his guests. This is why I think it works well with the character of Alex and his behaviour seen in the novel.
- Word count: 1494
Alex is set up by his Droogs later on and sent to jail and convicted of murder. At the State Penitentiary he spent two years of a sentence of fourteen there. Alex volunteered to undergo an experiment, "Ludvico's Technique", which was conducted by Dr. Brodsky. It was supposed to cure him of all of his violent nature. Alex is given injections and made to watch films of rape and violence and other various disgusting violent activities. The drug makes him associate feelings of sickness and nausea with violence.
- Word count: 862
It is not a shock to the reader when Alex steals a car. He says, "We backed out lovely, and nobody viddied us take off". He has no fear and was not afraid. Whilst driving the stolen car Alex and his droogs show disrespect for all in their path. They reach a place with a sign called "HOME", this is when Alex and his droogs stop and get out of the car. Next Alex describes how he politely knocks on the door of this house and politely asks to call an ambulance to help an injured friend.
- Word count: 1845
Compare and contrast "Blue Remembered Hills" by Dennis Potter, "A clockwork orange" and "Warrior square."
It was set in 1943, in the forest of Dean. It takes place on one day in the summer holidays for 7 school children. The play is a black comedy as whilst the children play there are aspects of tragedy, i.e. domestic violence, bullying, and death. In some ways it is linked to the other plays I have mentioned in theme. All three of the plays contain violence, and death, so there is an aspect of tragedy in the two comparative plays also.
- Word count: 873
Deltoid, his post-corrective adviser; he talks to him very politely however he does go over the top on the politeness and sounds patronising for example 'to what do I owe the extreme pleasure? Is anything wrong, sir?' we learn that he doesn't care for anyone than himself, otherwise I don't think he would of caused pain to innocent people. He doesn't like to be dirty, and when Dim was all dirty and looked a mess Alex and the other two characters tidied him up.
- Word count: 941
This injustice shows just how corrupt the Doctors are and how they misuse their power, it goes to show just how illiberal people can be. As Dr Branom's character develops though the chapter, I find that he less sinister than Dr Brodsky does, this may be due to him coming across to me as rather na�ve and powerless under Dr Brodsky's power. To a certain extent we can say that Dr Branom relates to Alex. Alex believes that Dr Branom 'was forced' into taking part in the treatment, in the same way Alex was.
- Word count: 1946
glow from the "red light from the landing", which almost sounds like a filming technique, even though it is used to good effect here. As usual, there is an element of comedy in the chapter. Whereas the comedy of the previous chapters has normally been slapstick in nature (such as the unforgettable image of Alex being beaten by a swashbuckling old woman, surrounded by meowing "koshkas"), the characters in this chapter are more developed and have distinct personalities of their own.
- Word count: 1712
Discuss Burgess’s language in the opening chapter: how does he depict the world of Alex and his friends as being in conflict with the “outside”? (10 marks)
There is no brevity in Alex's description, and he goes into detail when describing the clothes and make-up. It is likely here that Alex has a certain respect for these gang members, indicated by his lengthy description of their bright uniforms, and by the fact that he speculates on the large cost of these uniforms. But there is also a clear element of mockery. This is especially apparent in the sentence "These were supposed to be...", with an emphasis on the word "suppose". He is putting the credulity of the gang into doubt, debunking their claims. This is quite childish in some respects, and reminds the reader of his tender age.
- Word count: 1352
When in jail, the state tries to reform him, but end up turning him into nothing more than 'A Clockwork Orange', a person with no free will, no choice, and no life. Have the government gone too far? Both books have been viewed as misogynistic, discriminating against social classes, and in some parts racist, but regardless of this the books are still considered cult classics. Lifestyle and Friends Patrick and Alex are both given backgrounds, complete with friends and lifestyles.
- Word count: 2597
This shows that the police have had to get rougher to combat rough criminals. This is comparable to the real world as it is seen that police gradually need to get tougher on crime because crime gets tougher itself. An example of this is the fact that police in America have had to resort to guns and S.W.A.T. teams to fight crime while in Britain police still are armed with billy clubs. The message is lost in the movie as it seems more like dumb luck that Alex gets caught by two officers who happen to be old allies of his, now enemies who just want revenge.
- Word count: 1381
Using the extracts from Dead Man in Deptford and Any Old Iron, and the whole of A Clockwork Orange, discuss the effectiveness of Burgess’ wide and varied use of language and dialect.
As soon as I started to read A Clockwork Orange, I wanted to put it down again. In the second paragraph, I counted eighteen words that I did not understand, including such timeless gems as "droog", "rassoodocks" and, my personal favourite, "mozg". I was equally baffled when confronted with the two extracts. But I slavishly stuck to it (partly because of my rather demanding English master), mostly because I was personally intrigued as to what those terms meant. One soon realises that Burgess actually likes to do this - it is his wordplay. But equally, it is also an integral part of the book; he adapts his style of language for a number of reasons...
- Word count: 1019
A prime example of how looks down on his crimes, is after he has beaten up the teacher and stripped him, he thinks "We hadn't done that much" and refuses to make any " appy polly loggies". This casual view on his crimes is witnessed again when he is robbing the shop and he is standing over the now naked Mother Slouse and he thinks "I wondered should I or should I not, but that was for latter in the evening".
- Word count: 2168
Comparison of the final chapters of “A clockwork orange”, and “Dr Jekyll and Mr Hyde”
parts of Alex's' life which all helped him become an established man, so the three parts could be the three different view points of Alex as three years passed in the novel. Alex from a small young criminal, in part one: " Dim yanked out his false zoobies, upper and lower. He threw these to the ground and then I treated them to the old boot crush", in part two after being put in jail realises that "I am not your little droogie Alex no longer", and he gets put under the Lodovico technique to be reformed, this technique involving exposing Alex to violence for nearly the whole day, to make him physically sick of it.
- Word count: 2026
She is from the old society, and her age is signified through her amusing language, such as "wretched little slummy bedbug" and "blast you, boy, you shall suffer". It is bold and almost farcical, and it is reminiscent of a swashbuckling pirate sword-fight. This comedy is heightened by the slapstick nature of Alex's actions, falling over cats and splashing saucers of milk everywhere. It is degrading for Alex - the comedy has finally turned on him. The whole chapter is filled with irony, too.
- Word count: 945
But it is possible that Burgess was depicting the future world as well as his own. He is suggesting that if his own society were to carry on the way it was in his time, then it could possibly end up being as strict and oppressive as the Soviet regime. It is even a possibility that Burgess believed that the western countries, including his own country, the UK, would fall under the rule of communism and become Soviet states themselves. If this is true, then it suggests to me an admiration for the Soviet regime, not a dislike: he considered that the Soviets were so strong and organised, that western occupation was an actual possibility.
- Word count: 1083
Ironically, the very thing that is meant to be helping Alex to become a âbetterâ person is the very thing that seems to be destroying him. This effect of tripling allows us to view Alex in a different light, one which we have previously forgotten; as a child. His desperate attempt for attention from adults who are meant to care for him really reveals the child within Alex and represents his wider life of how he has been ignored. Through this, Burgess allows the reader to realise that Alex is still a child who needs guidance and help from those older than him, but instead this power is abused and used to manipulate the future generation by a corrupt state.
- Word count: 959
Alex is the perfect set piece around which the novels message that morality is not clear cut black or white revolves. From the moment we are introduced to Alex in the âKorova Milkbarâ we are told of how he and his âdroogsâ drink milk laced with drugs. The Korova milk bar itself is quite a public place and we are made aware of how many people use this as a place to obtain these drugs and escape through hallucinations. Alex describes how a man was âwell away with his glazzies glazedâ and thinks of these people as âvery cowardlyâ using hallucinogenic drugs as a method of escape.
- Word count: 1629