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AS and A Level: Bram Stoker

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  • Peer Reviewed essays 3
  1. Peer reviewed

    To what extent is Dracula a conventional Gothic protagonist

    4 star(s)

    Never did I imagine such wraths of fury, even in the demons of the pit!" Stoker presents the count as being: "lapped in a storm of fury," foreshadowing the terrible storm at Whitby when Dracula arrives on English soil. Stoker's uses the imagery of hell to describe Dracula's rage, writing: "his eyes were positively blazing...as if the flames of hell-fire blazed in them." This imagery of a fiery furnace is similar to Milton's description of Satan in Paradise Lost' as "the infernal serpent," dwelling in a "penal fire." However despite Satan's high status and charisma, he does not have the extreme contrast in personality, and the genteel almost awkward persona that Dracula has.

    • Word count: 1190
  2. Peer reviewed

    Dracula Essay. Focussing on chapter fourteen, to what extent do you think that, in Dracula, Stoker cannot provide answers to every question?

    3 star(s)

    Significantly, Van Helsing asks Dr Seward 'To believe in things that you cannot', seemingly highlighting the apparent conflict between science and the supernatural. Stoker introduces the supernatural in chapter one, with the 'wolves, with white teeth and lolling red tongues' that the coach driver - presumably Dracula - appears to control, as well as the 'blue flames'.

    • Word count: 425
  3. Peer reviewed

    Analysis of Vampire Scene in Chapter 3 Dracula

    3 star(s)

    Stoker writes: "There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips." The Brides are wholly sexual beings, who are guided solely by their desires, and this need contrasts completely against the typical 19th century men and women- John, Lucy and Mina. This liberation from repression would and did terrify and shock society, making vampires seem more like animals, monsters.

    • Word count: 528
  4. A Critical Analysis of Dracula pg. 41

    This passivity however could have multi-accentuality, also trying to eliminate the stereotypical gender role where the woman is passive. This view is reinforced later in the chapter when Harker is seduced by three dominant female vampires. The passage progresses in a typical Gothic fashion, describing the sublime setting 'the window at which I stood was tall and deep' whilst keeping Harker's vulnerability and his fear of the creature prominent, 'I drew back behind the stonework.' As the passage states that Harker did not 'see the face' this emphasises the fear of the unknown and also symbolises Dracula's regression from human to animalistic.

    • Word count: 1254
  5. Dracula has been described as a novel of Gothic horror(TM) " considering in detail one or two passages, explain why this is true (P.44-47).

    Like the count himself, the Castle is degenerate and corrupt; we feel a great sense of decay which is revealed through the descriptions of the house. This is linked to the idea of Dracula being ageless and immortal. He is a kind of reverent who aught to be dead. Through this we see the Gothic's function to create anxiety and unease, which is reiterated in the appearance of the vampiresses, who share the Count's undead qualities. Chris Baldick cited that 'The Gothic house is legible to our post-Freudian culture...we can also recognise...the crypts and cellars of repressed desire.'

    • Word count: 1352
  6. Explore the ways in which suffering is presented in Enduring love and The new poetry book of love and consider how The reader might illuminate ones understanding of these texts

    shaped around his scientific beliefs and at other times around his ?mental? state; We are told that he ?can spin a decent narrative out of the stumblings? on account of his academic knowledge .This encourages us to rely on him gaining trust in his narrative voice, McEwans use of this trope, with the intention of words used in a sense different from its literal meaning, signifies the ways in which the narration of a story can differ from what actually happened.

    • Word count: 3261

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