How adequate is 'tragedy of ambition' as a description of Macbeth?

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How adequate is ‘tragedy of ambition’ as a description of Macbeth?

Tragedy of ambition is indeed at the very heart of, and is the very essence of Macbeth. While other themes flow through the text and contribute to the downfall of Macbeth, ambition remains the fueling desire that plagues Macbeth throughout the duration of the play. In tragedy, the responder views the fall of a hero, and the events causing this descent.  The text is focused on Macbeth’s main flaw, ambition, or the desire to achieve his goals and dreams, as the cause of his tragedy. His ambition was to become king, and this is central to the text, although his ruin was also due to circumstance, including the encouragement given to him by the witches and Lady Macbeth. Therefore, while the decline of Macbeth is due to a combination of factors, it is his desire to become king that leads him to treason, murder, despair, and ultimately, his own demise. This is shown using various techniques, which include: soliloquies, hubris, dialogue, paradox, conflict and dramatic irony.

         In the text, we are first presented with the idea that Macbeth has the potential to be more than he already is through the witches. By calling him Thane of Cawdor, and informing him that he “shalt be king hereafter,” they serve to strengthen the desire that already exists in his heart. When he is actually given the title of Thane of Cawdor, he begins to believe that the witches may be indeed speaking the truth. However, the witches did not place the idea of murder in Macbeth’s mind, but it is he who first plans Duncan’s murder, as seen by the quote from his soliloquy “Present fears are less than horrible imaginings. My thought, whose murder yet is but fantastical, shakes so my single state of man that function is smothered in surmise, and nothing is, but what is not.” It is Macbeth’s ambition that lead him to take things into his own hands, instead of just letting the witches’ prophesy come true of its own accord. When he returns to the witches and sees that Banquo’s line will eventually overtake him for kingship, he decides to have Banquo’s family killed. This again is proof of his motivated personality, and his need to remain king.  

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        Conflict in the play, both internal and external, is used to develop the objective focused nature of the characters. Before he slays King Duncan, Macbeth argues with himself over whether or not he should kill the King. However, his ambitious nature wins over his sense of honour. Macbeth cries out “I have no spur to prick the sides of my intent, but only vaulting ambition which o’erleaps itself and falls on th’other”, showing that even he knows that his wants might bring horrible consequences. External conflict is shown when Macbeth does kill the King as a result of his growing ...

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