How Wilfred Owen Challenges The Romanticised & Glamorised Picture Of War

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How Wilfred Owen Challenges The Romanticised

& Glamorised Picture Of War

This essay is to explain and to show how Wilfred Owen challenges the glamorised image surrounding the war. This glamorous image was created by the media in order to get people to join up for the war, as a result of the propaganda people believed that it was honourable to go to war and you would be regarded as a hero. To do this I will need to present evidence, using quotes and commentating on his various writing techniques. To show this I am going to write about two of his poems:  Dulce et decorum est and Disabled. Both of these poems are renowned for challenging the propaganda created by the media and proves that it was all lies created to make people sign up for war and it’s not in any way honourable, heroic, glamorous or romantic to die in the war. These poems have credibility because Owen has first hand experience in the war as he served in WW1. He uses this to his advantage and writes truthfully and openly to crush any remaining propaganda that may still say that it is sweet and fitting to die for your country.

Dulce et decorum est is a poem that follows a nameless man through a day during WW1 and describes some of the things that he saw.

He writes that they look ‘like old beggars’. This is an effective simile because when you think of ‘old beggars’ you think of dirty, scruffy, weak ill people, which is a complete contradictory to the image of a soldier that the media created using propaganda. They were  ‘coughing like old hags’. This is a simile. ‘hags’ are unhealthy and unfit and this is not what soldiers are expected to be like. ‘All went lame, all blind;/Drunk with fatigue.’ This is written in the past tense and it is onomatopoeic. This whole stanza crushes the propaganda. There is also an eerie atmosphere which helped by aural imagery, “gas-shells dropping softly behind’ the ‘s’ is repeated, it

mimics the sound of the gas-shells dropping, sibilance. This stanza is the complete antithesis of all the propaganda.

‘Gas! GAS! Quick, boys!’ This is a dramatic change in pace written in the present tense and by using alliteration, repetition and direct speech Owen sucks you into the panic and pressure of this attack. He saw a man dying ‘Dim through the misty panes’ and you are immediately put in his position and you are looking through the gas mask just as he did. But by using ‘dim’ and ‘misty’ to describe his vision he creates a distance between the dying man and us. I think with this Owen wanted us to feel as though we were there but couldn’t do anything to help the dying man. This is not how it is made out to be, it is supposed to be a honourable death if you die in the war but this man ‘drowned like a man in fire or lime’.

‘In all my dreams’, he is still haunted by the death of the man and feels responsible because he didn’t or couldn’t help. It’s like a nightmare, every time he goes to sleep. ‘plunges at me’ the man is plunging at him in his dreams, trying to survive but he can’t do anything to help him. This stanza is short but effective as it shows us, the readers, how he is still haunted by sights that he saw in the war. It is all written in a personal tone so you feel as though he is talking to just you.

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He uses ‘you’ in this stanza frequently and you automatically put yourself in his position. He describes the ‘white eyes writhing in his face’, which makes you picture the dead mans ‘hanging face’ in your mind and you imagine what it was like to be there, to have witnessed that and what it must be like seeing things like that after the propaganda has told you how good it is in the war. ‘hear at every jolt, the blood’ you then imagine the noise; he uses your senses in this stanza to make it more realistic. Owen directly addresses ...

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