In Emma, Jane Austen uses the interaction of characters to speak volumes about moral obligation, class disputes and the maturing of one's view over time.

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In Emma, Jane Austen uses the interaction of characters to speak volumes about moral obligation, class disputes and the maturing of one’s view over time. This is best highlighted by Emma Woodhouse’s evolving relationship with George Knightley. By novels end, it is clear that Knightley is the only character sufficiently equipped to tame the wilder, more caustic aspects of Emma’s nature.

When we are introduced to her, Emma is selfish, egotistic and spoilt, yet oblivious to these uglier aspects of her own personality. While refined and fundamentally kind-hearted, Emma is “(disposed) to think a little too well of herself.” (p.7)  This contrast between Emma’s sweet spirit and vainly stubborn opinions creates much of the conflict in the novel. Through Austen’s use of foreshadowing and symbolism, it soon becomes clear that Emma will need to learn a lesson and receive her comeuppance, but how? She does not learn from her disappointing efforts to change Harriet Smith into the wife of an upper class gentleman and does not see that young Harriet would be better suited for any common man that truly loves her. She does not learn from flirting with men for whom she cares nothing nor from spreading rumours about women she feels are lesser than her.

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Emma states her desire to never marry, yet perpetually plays matchmaker for others. Unable to accept that she could possibly be taken as sticking her nose in other peoples business, she does everything she can to make the relationships of other people work, however unnaturally. In this same sense, she is oblivious to the fact that while she and Mr. Knightley are completely different, they are still undeniably attracted to each other.

Throughout the novel, Knightley gradually guides Emma to maturity and redemption by gently (and not-so-gently) correcting her when she gets out of line and making her question ...

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