Macbeth and Lady Macbeth develop shakespeares themes

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How does Shakespeare use the characters of Macbeth and
Lady Macbeth to develop his themes?

In the play Macbeth, by William Shakespeare, the characters of Macbeth and Lady Macbeth embody the main themes of the play. Macbeth is set in Scotland and follows the rise and fall of a tragic hero. The major themes of the play are ambition and its corrupting effects, the importance of loyalty and honour, good versus evil and the power of fate. Shakespeare presents these themes through the actions of Macbeth and Lady Macbeth and their results: the corrupting effects of ambition by the slow and fatal downfall of both Macbeth and Lady Macbeth, the importance of loyalty and honour through the couple’s absolute lack of both and the disastrous results that this entails and the couple’s battle between good and evil when they are trying to make important decisions. Shakespeare also uses the witches’ prophecy about Macbeth and his fortune to show how significant fate is and how it has the power to shape peoples lives.

The corrupting power of ambition is arguably the most important and most prominent theme in Macbeth, and is expressed most powerfully through the play’s two main characters, Macbeth and Lady Macbeth. At the beginning of the play, Macbeth is portrayed as a courageous Scottish general who is not naturally inclined to commit evil deeds. He does have a great desire for power and importance, however, and lets these desires twist and warp his original personality. When Macbeth is first confronted with the choice to gain more power by killing and lose his honour and loyalty, or to be content with the power that he had, he is uncertain of what he should do and faces a battle between his ambition and his conscience. The battle results in Macbeth pursuing his ambition, going against his first instinct and his original personality: “I have no spur To prick the sides of my intent, but only Vaulting ambition, which o'erleaps itself And falls on th' other,” (Act I, Scene vii, Line 25). As the play progresses Macbeth’s character continues to change and becomes less like the courageous hero that we first meet and more like a greedy, deceitful tyrant. After he orders the death of Banquo, he starts to be plagued by fits of guilt and regret. Lady Macbeth, on the other hand is initially portrayed as much more ambitious and deceitful, quickly developing a plan for the murder of King Duncan so that she and her husband can rise to the throne. While Lady Macbeth is more ambitious and ruthless at the start of the play, she is less capable of withstanding the consequences and guilt that plagues her after Macbeth’s repeated bloodshed. In each case, ambition is a recurring theme that propels the pair into evermore-terrible atrocities. Shakespeare uses the pair to illustrate a smaller part of this theme, the problems of using violence as a means to further your ambition: once you start using it, it becomes near impossible to stop. Once you have first broken through the moral barriers that you confront when deciding to murder someone, there is no reason not to break through them again. For Macbeth, there are always potential threats to the throne—Banquo, Fleance, Macduff—and it is always tempting to use violent means to dispose of them; however, if you do not have the moral barriers to prevent such a horrendous crimes, they stop being tempting and start being irresistible. Therefore, through Macbeth and Lady Macbeth, we see the corrupting power of ambition.

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The importance of honour and loyalty is another prominent theme throughout the play. Shakespeare often uses the characters and events in Macbeth to show us what good and evil are. For example, he uses honour and loyalty as defining characteristics of an admirable character, while illogical passion and unchecked ambition are shown as characteristics of a disgraceful character. We first hear of Macbeth from a sergeant who has fought with Macbeth against the invading Norwegian army, and the traitorous Thane of Cawdor. The sergeant gives Macbeth a worthy report that highlights Macbeth’s bravery and courage: “But all’s too weak, For ...

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