Romeo & Juliet Act 1 Scene 1

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Jody-Ann Miller

William Shakespeare’s Romeo and Juliet

Act 1 Scene 1

Four hundred years ago, the world renowned playwright William Shakespeare wrote the play Romeo and Juliet, a tragedy almost as renowned as its author, a tragedy that captured, and still captures the imagination and emotion of people all over the world. Based on a narrative poem: “The Tragical Historage of Romeo and Juliet” by Arthur Brookes. The play portrays the passionate, violent and in this case desperate lives of the youth of the city of Verona. Shakespeare explores the hardship that comes with young love and the way in which love inspires violence and conflict. The drama is set in Verona, home to an ancient feud between two dignified families; the Capulets and the Montagues.

In Act One Scene One, we are immediately introduced to two servants of the Capulet household, Gregory and Sampson. We see them engaging in informal dialogue that at its best could be described as playful banter. At first the two boast about themselves and about their status that they are above those ‘carry coals’. However they do not just converse about themselves, the conversation swiftly begins to incorporate the Montague family. “I will push Montague’s men from the wall…The quarrel is between our masters, and us their men” This enforces the feud we have previously read about in the prologue and also helps us to establish the scale of conflict between the two families; the conflict is so large, that even the servants are involved. This line said by Gregory also shows the faith and devotion that the servants have for their family.

Gregory and Sampson serve more than one purpose in the first scene. Shakespeare was a skilled writer, and it is evident from this play and from many others that whilst writing his scripts he was trying to consider every possible person that may be apparent in his audience, from the reigning Queen Elizabeth, for which the play was originally written for, to the lower class Elizabethans who shared a simple humour and minimal understanding. Romeo and Juliet with its various twists and underlying themes is effortlessly capable of engaging the most intellectual of people,  and yet as Shakespeare intended, it is just as capable of engaging the more “ordinary” of people. Gregory and Sampson’s opening conversation is a key example of dialogue intended to engage the lower class Elizabethans. Whilst the two carelessly vandalize the name of the Montague men, the conversation naturally takes to the Montague women. They discuss in the form of scenario, and brag to each other about what they would do to the maids of Montague, after they have defeated the men of Montague of course. “I will be civil with the maids; I will cut off their heads…Ay, the heads of the maid, or their maidenheads, take it in what sense thou wilt. Shakespeare continues with the sexual innuendo as the Capulet servants begin to discuss in true male fashion the size and performance of their genitals. Sampson is keen on ensuring that Gregory knows that he is “a pretty piece of flesh” and Gregory is just as keen to let Sampson know that he is only one that thinks so. He makes constant jokes and mocks the idea of Sampson’s penis being something anyone could consider as impressive. These rude jokes and sexual puns were something that the Elizabethans greatly enjoyed, and William Shakespeare knew this, he incorporated these crude jokes at the very beginning of the play so he was able to capture the interest of the lower-class early and hold it for the duration of the play, but it was not the sexual innuendos alone that he used to reel in his audience, his first violence scene follows immediately after the sex-filled banter.

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Gregory and Sampson, in their previous discussions have built up their rage towards the Montagues. Along side this inspired rage is the need for each of them to prove themselves manly, as they have both spent the first minutes of Act One Scene One trying to lower each others ego whilst boasting about their own manhood. So when they are interrupted by two servants from the Montague household it’s a case of proving that they could support their boasts. Gregory is quick to change his tune, his character is cowardly and this shows as he exclaims ‘No marry! I fear ...

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