• Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

Short stories. I have chosen to discuss Can-can by Arturo Vivante and The Blue Film by Graham Greene.

Extracts from this document...

Introduction

Emma Hall Access to HE English Glen McIver 12/02/2012 Discuss and compare any two of the short stories we have discussed I have chosen to discuss ‘Can-can’ by Arturo Vivante and ‘The Blue Film’ by Graham Greene. I made this decision as I liked how both stories where about a married couple’s relationship which also involved another woman and yet whilst both stories appeared to end differently the overall meanings were in fact the same. When comparing both stories they showed multiple similarities as well as differences and I was interested in how both Vivante and Greene made use of irony, imagery and language to create an atmosphere and how both stories built up tension before reaching a climax. Arturo Vivante’s short story ‘Can-Can’ is about a husband who is having an affair with a woman called Sarah, who is also married. The story starts at the husband’s marital home, where his wife is playing with the children and does the can-can when one of them asks her to. It is at this point that the husband starts to question himself over his affair but still leaves and heads to a café, where he waits for Sarah. Sarah is running late and he hopes that she won’t turn up but she does and they head off to a lake house where the story ends with Sarah lying in his arms, however he is thinking of his wife doing the can-can. ...read more.

Middle

Mrs Carter complains that the holiday is tedious, and urges her husband to take her to ?Spots?. Mr Carter leaves the hotel in search of something. A little boy comes up to him and, after turning down his offers of a young girl and a boy, Mr Carter takes him up on the offer of a French film. Returning to the hotel, he picks up his wife and they set off together to watch the film. Mrs Carter finds the first film unattractive, but the second has ?some charm?. It is not for some time, though, that Mr Carter realises that the film is familiar to him. When he does realise, he tries to get Mrs Carter to leave, but she refuses. It turns out that thirty years ago Mr Carter had been attracted to the young woman in the film. She had needed money, and he had helped her out by acting as her partner in the film. On the way back to the hotel, Mrs Carter professes herself shocked, but when they get back to their room she is in fact aroused, and makes love to her husband with a passion she has not known for years. Greene tells us straight away in the first line of the story that something is wrong with this couple and that they are not happy. ?Other people enjoy themselves, Mrs Carter said? (Greene 1982:74). ...read more.

Conclusion

and it is the girl in the film that he is thinking of at the end of the film. Greene creates a lot more imagery in terms of the setting, his wife, himself and the girl in the film whereas Vivante?s main use of imagery is his wife doing the can-can. In comparison whilst there are several differences there are also similarities. Vivante and Greene have written both Can-Can and The Blue Film in the third person and tell you what the husbands are thinking and feeling, guilt, tension, nervousness and uncertainty, both depicting the husbands as being in conflict with themselves and their decisions. ?Carter lay in the dark silent, with a feeling of loneliness and guilt? (Greene 1982:79). Both stories have lots of irony, ?For a moment I was afraid you where thinking of your wife? (Vivante 1988:6) and the same theme of a husband having feelings for another woman outside of his marriage and the events that take place in both stories are that the husband makes love with this other woman. The openings of each story are similar and we know straight away that something isn?t right and whilst initially we believe that the endings are different, with Vivante ending Can-Can with the husband thinking of his wife and Greene ending The Blue Film with the husband thinking of the other woman, the prostitute, they are actually ending very similarly. Both husbands are thinking of the women they actually love and the ironic ending in both stories is that both are experiencing that the grass isn?t always greener on the other side. ...read more.

The above preview is unformatted text

This student written piece of work is one of many that can be found in our AS and A Level Other Criticism & Comparison section.

Found what you're looking for?

  • Start learning 29% faster today
  • 150,000+ documents available
  • Just £6.99 a month

Not the one? Search for your essay title...
  • Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

See related essaysSee related essays

Related AS and A Level Other Criticism & Comparison essays

  1. Marked by a teacher

    The English Patient

    5 star(s)

    Ondaatje explores his characters by placing them in blank, secluded settings. Both the barren desert and the isolated Tuscan villa are insular and remote, enabling the author to study his characters intensely. Innovative in narrative structure and complicated by numerous points of view, The English Patient resists easy classification into any particular literary genre.

  2. Characters similarities in The Mayor of Casterbridge

    once catch the eye but the longer acquaintance with her reveals her fascination. She is a single-hearted girl, with a marked "willingness to sacrifice personal comfort and dignity to the common weal." Her personality is light and unemphatic, perhaps excessively modest in the earlier stages.

  1. Short stories often climax in moments of insight for the central character. Discuss ...

    all grown up and through the story he tends to use words like; 'foolish', 'embarrassed' and 'amused'. In 'Louise', by 'Somerset Maughan', the main character, lady called Louise, fails to have an epiphany because this cunning lady knows exactly what she wants in life from an early age, we are

  2. There is no room for individual identity in South African literature Discuss.

    An ear for dialect is one of Fugard's strengths, and we are reminded of class markers in his own speech that locate him in the underprivileged communities6. While whites do not appear to suffer to the extent of coloured and black people in Fugard's depiction, with the exception of 'baas Robbie', they are prohibited the luxury of identity.

  1. Female characters in "The Kite Runner", "Hamlet" and the short story "A Lot to ...

    Gertrude could not run the state of Denmark, or even the castle, without a man in power with her; in the time Hamlet was set in, women were often demeaned, and were never seen as equals.

  2. Comparison - Rendezvous and American Psycho

    dinner, instead of being out in the cold, but tries to stay cool. At least she has a great story to tell her friends. She is almost a stereotypical runaway. Payton is selfish and have ? as Patrick Bateman ? some narcissistic traits.

  1. William Wordsworth and Damien Hirst might appear unlikely bedfellows, but appearances can be deceiving.

    As he argues in ?Lines Written a Few Miles Above Tintern Abbey?, contemplation of natural beauty creates a spiritual connection with divine forces, which enables him to be more fully his actual self and, connected in this way to Nature, to be aware of how he shares emotional commonality with other human beings.

  2. I shall be comparing the original Shakespeares Prospero with the Julie Taymors film adaption ...

    and trickery to exact a revenge on the enemies who have exiled her to this island is, I think, the best we have had so far. The gender switch, from Prospero to Prospera somehow enhances the drama, and she gives it a ferocious energy.

  • Over 160,000 pieces
    of student written work
  • Annotated by
    experienced teachers
  • Ideas and feedback to
    improve your own work