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Streetcar Named Desire: Visual, Aural and Spatial
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Streetcar Named Desire: Visual, Aural and Spatial
The sound for 'A Streetcar Named Desire' is effective but this could be built upon to improve it and create a more intense atmosphere. The stage directions do state when sound should be used, they usually state the piece of music and the way in which it should be played, for example "Blue piano and the hot trumpet sound louder". I think that if an amalgamation of types of music such as; instrumental music, recorded sounds and vocal pieces. This would provide a range of sounds and would be more interesting for the audience. More sound could be used to reflect the action taking place in the play, an example being when, in Scene Ten, when Blanche is trying to get hold of Shep Huntleigh and is getting more and more distressed this would be an appropriate time for some fast paced music to enhance her panic.
The space on the stage could have been used a lot more effectively. The actors could use the whole of the stage, split certain parts of it up to represent different rooms and scenes, also the changing of space to create dramatic effect. A
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