Tennessee Williams 1947 play A Street Car Named Desire is set in the bustling new south; the play is a tragic tale that deals with the conflict between romantic Blanche DuBois and realist Stanley Kowalski

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Tennessee Williams’ 1947 play ‘A Street Car Named Desire’ is set in the bustling ‘new south’; the play is a tragic tale that deals with the conflict between romantic Blanche DuBois and realist Stanley Kowalski (who from the onset is able to see through Blanches veil of deception).Desire and loneliness are the plays central themes and are closely intertwined with the recurring theme of death that is ever present in the play through the use of dramatic devices. The play was written soon after the great depression which was a devastating economic crisis which was caused by the stock market crash; it is as a result of the great depression that Blanche lost the family estate.

The main protagonist takes a street car named “Desire” to the “Elysian Fields”, which in Greek mythology was believed to be the final resting place for dead heroes, and represented an afterlife or heaven of some sort. In this instance the “Elysian Fields” could signify Blanche’s unrestrained sexual desire that leads to isolating darkness and eventually death. Williams establishes this theme at the beginning of the play, when Blanche takes a streetcar named “Desire” a symbolic representation of sex, then gets onto to one named “Cemeteries” (Death), and gets off at a street named “Elysian Fields” (the Afterlife). The street cars could connote desire and how it is ultimately the vehicle that leads to her eventual mental deterioration in the closing scenes of the play.

Alternatively, the “Elysian Fields” could be a bad omen that links the three main characters to death: be it emotional or mental. One thing is for certain Blanche’s arrival will exacerbate an unhealthy atmosphere which is only emphasised by the cramped living conditions which could mimic Blanche’s disorganised mental state.

Moreover, many of the themes integral to the play are personified in the history of New Orleans. The lively backdrop of the French Quarter with its bars, entertainment, streetcars, vendors and contemporary music draws emblematic attention to the changes occurring in post war American society and the emergence of the new south.

Tennessee Williams uses a myriad of dramatic techniques to present sexuality in “A Street Car Named Desire” such as foreshadowing, flashbacks, soliloquies symbolism and characterisation in the play to add to the tension that is evident through out the play.

Stanley Kowalski’s is a very interesting character, he possesses a bestial and almost subhuman physical vigour, which is demonstrated through his love for all things physical such as; sex, fighting and hard manual labor. Mr. Kowalski is a very sexual being and derives pleasure from women and the sexual pleasure he is able to give and take. This is the foundation on which his and Stella’s relationship has been built upon. Inspite his flaws Stanley is full of an uninhibited masculinity that Stella finds enthralling and that is why she loves him.

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Moreover, the “animalistic” nature of Stanley and Stella’s relationship is apparent in scene three. Blanche believes that he “acts like an animal” and “has animal’s habits”. Stanley’s sexuality is based upon the belief that males are superior to their female counterparts, he insists on male dominance and behaves as though the apartment is his and his alone. He is the alpha male seeking to not only dominate women but men as well. I personally believe that Stanley derives as much pleasure from being both psychically and mentally in control as he would during his favorite pass times (having sex or ...

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