"The rarer action is in virtue than in vengeance"In what ways should we consider these lines to be pivotal to the text

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“The rarer action is in virtue than in vengeance”

In what ways should we consider these lines to be pivotal to the text?

In act five, scene one, I believe that the lines; “the rarer action is in virtue than in vengeance“ are pivotal to the text, because the outcome of Prospero’s decision determines how the play concludes. There are many subtle hints in the text which could suggest why Prospero makes the decision that he does. First, we must question the nature of forgiveness in ’The Tempest‘. The lines ”I do forgive thee / Unnatural though thou art“ in act five, scene one are closely linked with the lines ”The rarer action is in virtue than in vengeance“ as in both lines it is not obvious why Prospero has decided to forgive.  When Prospero says ”unnatural though thou art“ this could be a reason as to why he does forgive Alonso, because he has been able to recognise that ”unnatural“ creatures are not that far removed from man, and Prospero himself ; ”This thing of darkness, I acknowledge mine“, which he admits being able to recognise in act five, scene one, lines 275-276.

The lines ”This thing of darkness, I acknowledge mine“ offer us a suggestion as to why Prospero decides that ”the rarer action is in virtue than in vengeance“. Prospero accepts his character and who he is in these lines, which is a pivotal moment in the text itself, and Prospero is able to recognise that Caliban is a dimension of Prospero as he educated Caliban; ”You taught me language“, act one, scene two, line 364. This acceptance and choice to forgive now makes Prospero seem more admirable as he can accept that even he is not perfect, and because of this, is able to overlook the flaws and mistakes of others.

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In act five, scene one, Prospero has everyone under his control and the conclusion of the book rests in Prospero’s use of power. Having all this power almost gives Prospero the sense of a God-like figure. This is a reference to earlier scenes between Ferdinand and Miranda, where Miranda refers to Ferdinand as ”A thing divine“ and Ferdinand calls Miranda a ”goddess“ in act one, scene two. When Prospero says ”They being penitent“ this gives Prospero another parallel with God, by using penitence in this pagan play. The continuation of Prospero’s parallel with God-like creatures continues as he says ...

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