“THE TENSION CREATED IN SPIES”
Putting a child into a fight or flight scenario is going to unnerve the reader from the start and create tension. Michael Frayn introduces the darker side of Steven and Keith’s spying in chapter 6, whereby Steven has to take up the task of obtaining evidence to support their suspicions. It is Steven who is assigned to the after dark duty. It’s his eyes and ears that Frayn uses to transpose tension to us the reluctant voyeurs. We the audience are first introduced to Steven’s visions of the “darkness”, defined by its “blackness” and “sound”. We see nothing and feel our way along with Steven through his task reluctantly. Steven’s senses are heightened and are more apparent because he is a child and vulnerable, as he mentioned before he commenced his journey, “I shall die of fear”. We along with Steven want the “moon to lighten the world”, and bring him comfort, but this event will only bring him more fear when it does occur. Frayn does the unthinkable by putting a young boy out in the dark when there is a war on. Bombs have already been dropped sporadically close to where Steven lives and a neighbour has been killed adding more apprehension to this precarious escapade of Stevens. The world now in its new form is ethereal, as the “nocturnal creatures” seek refuge from Steven’s “panicky breathing”, adding more fuel to the unease of this chapter. Steven tries to use his common sense to justify the “Stirring of leaves”, which during the day pass without reference, but at night seem to be alive with spirits? Is there someone in the trees? Is there something waiting to pounce on Steven? Theses are possibilities that must enter Stevens mind. Every sound drives fear into Steven.. Even the “murmurs of the telegraph wires” at first play Russian roulette with Steven’s nerves until he comforts himself with the fact he has heard them before. The possibility of some kind of protagonist out there with Steven is forced upon us by Frayn, creating more suspense and atmosphere. The author’s use of short and abrupt sentences leaves us hanging on tender hooks for a good conclusion to this young boy’s adventurous outing. All the tools we associate with a Horror Movie are there in a subtle format, initiating the power of suggestion via sound, vision and Steven’s imagination.