"The tragedy of war is that these horrors are committed by normal men in abnormal situation." To what extent does Breaker Morant seem to legitimise war crimes?
“The tragedy of war is that these horrors are committed by normal men in abnormal situation.”
To what extent does Breaker Morant seem to legitimise war crimes?
“I will face my God,” writes Handcock on the eve of his execution, “with the firm belief that I obeyed and served my King as I thought best.” Breaker Morant, directed by Bruce Beresford, seeks to excuse his protagonists, portraying them as victims of the British military. By drawing our attention to the injustices against Morant, Handcock and Witton, Beresford makes the drama one about their fate and sidelines the war crimes completely. To argue that he ‘legitimises’ war crime is excessive. However, he could certainly be accused of underplaying the seriousness of what they did.
Breaker Morant is filmed by a repulsion and dislike for war. Thomas makes several passionate speeches about how despicable it is. When Denny objects to Lord Kitchener being called as a witness, doubting that “a man so venerable” could be capable “barbarity.” Thomas angrily refers to Kitchener’s policy of his deadly concentration camps, reminding the court that “those orders were issued…and the soldiers like myself…had to carry them out, however damned reluctantly!” The senior masterminds of the war are shown throughout the film as scheming political animals, with absolutely no compassion, interested more in their own careers and comfort than in the either their own men or the enemy. The whole notion of the Empire is repeatedly rejected by the film, both in Morant’s words, “we’re scapegoats of the bloody Empire” and in the deeply ironic singing of “Soldiers of the Queen” on the soundtrack. The execution scene of Morant and Handcock is itself the ultimate argument against militarism and its bitter consequences.