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The Use of Shocking and Stricking Visual Effects in Tis Pity She's A Whore
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Early seventeenth century plays often make striking use of visual effects to shock the audience. Explain the ways Ford creates striking or shocking dramatic effects in 'Tis Pity She's a Whore.
Plays of the seventeenth century are notoriously known for being rife with gory representations and some critics have gone as far as to suggest that Ford is a prime example of the glorification of violence and sex on the stage. However, this stylistic use and representation was not unwanted by his audience - seventeenth century theatre goers of that age expected shocking scenes with the purchase of a ticket. This very apparent made it necessary for Ford to sometimes over dramatise or make more bounteous his shocking and striking scenes - John Ford, many would argue, went just that one step further.
Undeniably, one of the most shocking moments that Ford creates is seen fairly near to the beginning of the play in an exchange between Giovanni and Annabella. The play's main plot revolves around the two siblings and their growing love for one another, and we see this love addressed and first reciprocated in Act I, Sc 2. Giovanni is first to admit
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