Thrill of the Kill Comparative Essay. Imagine being on a deserted island with no rules, no civilization, nothing besides the need to survival. The novel Lord of the Flies by William Golding and the short story The Most Dangerous Game by Ric

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Qing

Jennifer Qing

Mr. Atchison

English B30

November 13, 2011

Thrill of the Kill

Imagine being on a deserted island with no rules, no civilization, nothing besides the need to survival. The novel Lord of the Flies by William Golding and the short story “The Most Dangerous Game” by Richard Connell are two fictional stories that deal with this concept, exploring the behavior of humans in such a primitive, unstructured environment. In both stories, a distinct division develops between hunters and the hunted, and while each story conveys and focuses on slightly different aspects, the two stories more importantly share the same fundamental view on the overall, underlying theme in regards to human nature.  

In “The Most Dangerous Game”, general Zaroff is the hunter. As the title of the short story implies, hunting is a fun and thrilling game to Zaroff. His cunningness and his natural instinct for hunting led to his many successes as a hunter because as he said himself, “‘The animal had nothing but his legs and his instinct. Instinct is no match for reason’” (Connell, 47). Using his instinct and reason, the hunter in this short story demonstrates an exceptional super ego. However, his instinct is evil. With his superiority to animals, Zaroff was no longer satisfied with hunting animals, so he progressed to killing other animals with both instinct and reason—humans. His disregard for human life shows Zaroff’s twisted nature. During his hunt of the human Rainsford, Rainsford thought:

“… Only the devil himself could follow that complicated trail through the jungle after dark. But, perhaps, the general was a devil” (Connell, 54). Throughout the book, this being an example, Connell alludes to the evilness of Zaroff’s character. Zaroff’s mind and his nature illustrate him as cunning, but corrupt person.

The group of hunters in Lord of the Flies also becomes animalistic and savage. At one point, “Ralph too was fighting to get near, to get a handful of that brown, vulnerable flesh. The desire to squeeze and hurt was over-mastering” (Golding, 115). Even Ralph, who is considered to be more mature and civilized than the others, became caught in the thrill of the hunt. This is because in Lord of the Flies, the hunters completely lose their identity and sense of reason when they hunt, relying purely on their instinct. The evil actions of the hunters when they’re following their instinct show how humans are evil in nature.  Despite the hunters’ brave act and their domination over the island, they all fear the unknown Beast. Jack, the head of the hunters, describes it as "a dark thing, a beast, some sort of animal.” (Golding 89) The Beast, which is given a physical form as the pig head and as Lord of the Flies, symbolizes the Devil that is within all the hunters and the human race in general. In this aspect, the state of mind of the hunter is Lord of the Flies is similar to “The Most Dangerous Game” because both stories suggest that humans are primitive and evil in nature. The hunters in both stories enjoy killing, starting with animals and moving on to humans. However, Zaroff also does not seem to fear anything, unlike the boys in Lord of the Flies who fear the Beast. Zaroff also uses his mind a lot more than the boys who completely lose their sense of reason once they become entranced by the hunt.  In a sense, Zaroff is the more terrifying one because he reasons that it is completely acceptable to kill humans, whereas the boys mindlessly kill.

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If there are hunters, then there must be the hunted. At the beginning of “The Most Dangerous Game”, Rainsford expresses his attitude towards hunting in his conversation with Whitney: “‘…Great sport, hunting.’ ‘The best sport in the world,’ agreed Rainsford. ‘For the hunter,’ amended Whitney. ‘Not for the jaguar.’ ‘Don’t talk rot, Whitney.’” (Connell, 39) Ironically, later on in the story, Rainsford is the one being hunted. His attitude towards hunting changes. He acknowledges that animals feel terror, having “played the fox” (Connell, 54) himself. When being hunted, Rainsford felt panic and dread and “knew the full meaning of terror” ...

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