Twelfth Night Review

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TWELFTH NIGHT REVIEW

  Trevor Nunn’s Twelfth Night is a performance of a Shakespearean comedy

about twin siblings, Viola (Imogen Stubbs) and Sebastian (Steven Mackintosh),

which are aboard a ship that is wrecked off the coast of the country of Illyria.

Although both escape the disaster, they are separated, and each believes the

other to be dead. Viola decides to disguise herself as a man under the name of

Cesario, in order to protect herself, and goes to work as a servant in Count

Orsino’s (Toby Stephens) court. Orsino is madly in love with a young countess,

Olivia (Helena Bonham Carter), who constantly refuses his love. Orsino sends

Viola to woo Olivia in his name but Olivia immediately falls for Viola/Cesario,

while, at the same time, Viola realizes that she is in love with Orsino. There is

also a sub-plot, where Olivia’s drunken uncle, Sir Toby Belch (Mel Smith); her

maid, Maria (Imelda Staunton); Sir Toby’s stupid -but rich- friend, Sir Andrew

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Aguecheek (Richard E. Grant); and Olivia’s clown, Feste (Ben Kingsley), play a

trick on Olivia’s bad-tempered steward, Malvolio (Nigel Hawthorne).


 This performance of
Twelfth Night follows quite closely the actual play,

although it includes as its opening scene the scene of the shipwreck, which is

talked about in the actual play but never presented. Even though Twelfth Night 

is a comedy, in this film humour is not one of the most important themes.

Instead it focuses more on themes like appearance and reality or the different

kinds of ...

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