Using Pinters The Birthday Party and Churchills Top Girls explain the difference between Absurd and Feminist theatre.
Using Pinter’s ‘The Birthday Party’ and Churchill’s ‘Top Girls’ explain the difference between Absurd and Feminist theatre.
The ‘Theatre of the Absurd’ and ‘Feminist Theatre’ are two very different approaches which use techniques different to many other conventional styles of theatre. The difference between the two can be explained through the analysis of two plays, one from each style. Caryl Churchill’s ‘Top Girls’ which is an exploration of women explored and introduced through a feminist perspective by a female character reveals important roles in history where women have been at an advantage. Harold Pinter’s ‘The Birthday Party’ on the other hand, places man in a society where he is driven to extremes psychologically and is caught up in a hopeless situation. This essay will explain where the two movements in theatre differ from one another with reference to the plays mentioned.
The essential characteristics of feminist theatre are shown through Churchill’s top girls. The women in the play are placed within significant roles in society and the dominant role of leader or boss is fulfilled by a woman. Marlene is shown throughout the opening scenes of the play to idolise and emasculate women who have attempted to fulfil the role which she dreams of, having substantial status as a woman in history. The women are all of the past and Churchill brings these women together in a recollection of their achievements in history. She is praised for her dramaturgy in this exposition of recalling past events and her use of theatrical time. She covers aspects of women in society which although known were not really talked about. The aim of Churchill plays were not to push women to adopt masculine characteristics but to address them with equality and the idea that men and women should equally care for one another.