Vaunting aloud, but racked with deep despair How does Milton use the character of Satan in Paradise Lost Book One

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‘Vaunting aloud, but racked with deep despair’ How does Milton use the character of Satan in Paradise Lost Book One

Milton’s ‘Paradise Lost’ is not only an exploration of classical events detailed in the Bible, but also a development of them. A dangerous feat, considering the dominant hold that religion had on 17th century England, Milton’s epic poem dares to stray away from the literally believed stories of the Bible and delves into the unexplained and unknown. This is most apparent with his focus on Hell and its sovereign Satan, as these two focal points of Book One are, for the most part, unreferenced in the Bible. However, without any previous scriptural guidelines or knowledge to follow, Milton was granted free reign to develop the character of Satan as he wished, and this lead to him being used in a number of ways.

As an epic poem, Paradise Lost requires the presence of a tragic hero. According to Aristotle, a tragic hero is a character of noble stature or greatness who experiences a downfall as a result of their own mistakes or flaws. This interpretation of the dramatic role demonstrates Milton’s inability to place God in this position as it would be seen as heresy, and as a result, he could not feature as the focal character of the poem. Therefore Milton required the use of a fallible character to act as the protagonist, so he cast Satan in this position. In satisfying the role of the tragic hero and protagonist in his poem, Milton resultantly had to equip Satan with the necessary tools to fulfil his function as the poems hero. This is seen in the hyperbolic descriptions of his character and attributes as Satan had ‘unconquerable Will’ and ‘courage never to submit or yield.’ Like the heroes of epics before him, Satan is displayed as possessing characteristics that elevate his nature above the rest of the poems characters, and it is these traits that put him in a position to oppose God. So Milton uses Book One and Satan to establish his protagonist and primary focus of the poem, and although this choice seems insignificant in the grand scheme of the poem, it acts as the stage for the rest of Satan’s acts.

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Milton’s use of Satan as the elevated hero gives his poem, and more specifically the divine conflict he portrays, more credibility. This is because Milton’s heroic portrayal of Satan elevates him, in the reader’s eyes, to become a threatening opponent to God. Milton’s intention to use Satan in this way is exacerbated when it is considered that Satan in fact translates to ‘the adversary’ in Hebrew. As Sir Walter Raleigh argued ‘His very situation as the fearless antagonist of Omnipotence makes him either a fool or a hero, and Milton is far indeed from permitting us to think him a ...

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