Which of Wilfred Owens poems do you particularly admire and why?

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Vikki Kirkpatrick 11BH

Wilfred Owen Poetry

Which of Wilfred Owens poems do you particularly admire and why?

Personally I do not have a particular interest in war poetry, so when I was faced with this essay question I feared that I wouldn’t admire any of Wilfred Owens poetry. I was in fact wrong. My experience of war poetry was somewhat different to that of Owens. I believe this is due to the fact that Owen was writing about the First World War; this was indeed very different to any other war ever fought in the world before. Not only was World War One the first war in which the entire world was involved it was also the first war where the “young brave wives” (The Dead-Beat) saw actual pictures and footage of the war and its “carnage incomparable” (Mental Cases). Where before all people at home knew of war was “the old lie” (Dulce et Decorum est) written by civilians, most of which had never experienced the horror of war for themselves and were writing secondary sources.

Owen did not write to tell of the glory and honour of War or of the heroics and patriotism of dying for your country, like most of his time, instead he wrote to challenge and accuse an establishment that sent an entire generation to their doom, and to inform the ordinary people of the “untold truth” (Strange Meeting.)

I see every one of Owens poems as admirable and inspirational, as he dared to do what no-one before him dared, he criticised and attacked a government that sent boys to fight in a mans war. Owen wrote not to inspire men into joining the army, but to change and dispute peoples conceptions and pre conceptions of war.

‘Dulce et decorum est’ was the first of Owens poems that I read and the one that I admire most. The poem begins ironically, the title meaning, “It is sweet and honourable (to die for ones country). A title that was shocking and accusing to the nation rather than an invite for pity. The first stanza sets the scene for the poem, showing a platoon of completely exhausted soldiers "trudging" back from the front line "like old beggars” they are clearly weary from a battle as their feet are "blood-shod” the men are so drained that they are oblivious even to "the hoots of the gas shells dropping.” In this stanza the Owen portrays the soldiers are no longer being men, but as “hags” who have been robbed of their youths. It is because of this, I believe that Owen blames and accuses the “bold uncles” (The Dead Beat) that sent boys to meet their doom, in almost all of his poems; this condemning almost becomes a soul purpose in his poems. He directly confronts us as the reader with lines such as “pawing us who dealt them war and madness” (Mental Cases) even they way in which he talks of the soldiers leaving for the war as “wrongs hushed up” (The Send Off) seems to me as incredibly accusing.  

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Suddenly there is a change of pace as a gas attack causes panic among the troops. Here Owen uses direct speech “Gas! Gas! Quick, boys!” this adds realism to the poem. Realism is something that no secondary source poems have, and therefore also helps to add to the way in which Owen revolutionized war poetry.

One soldier fails to fit the "clumsy" helmet in time and the others watch him drown "under a green sea”

In stanza two the attention turns away from the soldiers in the gas attack and Owen begins to confront the reader by addressing them directly. ...

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