The Prisoner OF Tehran

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At 16 Marina Nemat was arrested by two of Ayatollah Khomeini’s soldiers. It was 1982, the height of Iranian revolution. A devout Christian, she was deemed “a danger to Islamic society” for demanding he government propaganda to be kept out of the classroom. Thrown in prison, she was beaten and sentenced to death and most certainly would have been executed had one of her interrogators not spared her life on the condition that she coverts to Islam and marry him. Told in a simple, unsentimental style, “Prisoner of Tehran written by Marina Nemat is an extraordinary story of survival and how one woman finally found her inner peace through the written word.

Marina now lives with her husband and her two sons in the suburbs of Toronto nd became proud middle-class Canadians. This was when her memories of her heartbreaking story of forgiveness came back to her causing her to loose sleep.

Marina starts this extraordinary story off by her shocking dilemma troubling her, forcing her to write everything on paper.

“I lost the ability sleep.” It began with snapshots of memories, I tried to push them away, but they rushed at me, invading my daytime hours as well as night.” I began writing about my days in Evin (Tehran’s notorious political prison) about the torture, pain, death and all the suffering I had never been able to talk about.”

These quotations show how the writer becomes restless to share he feelings of sadness in her effectively described words about   pain that troubles her day and night.

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Nemat’s ruined childhood began when there was a ring at the door at an unusual time of the day.

Marina was about to have a bath, instead she was suddenly taken to the horrific place no one would talk about; the most shocking time of her life began.

“The sound of the doorbell echoed in the house” … “My heart sank.” … “Two armed, bearded, revolutionary guards wearing dark green military-style uniforms were standing in the hallway.” … “I felt as though I had stepped out of my own body and watching a movie.”

The writer effectively uses ...

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