Zeena and Mattie, portraits of antifeminist characters in Edith Whartons Ethan Frome

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Zeena and Mattie, portraits of antifeminist characters in Edith Wharton’s Ethan Frome

        When she wrote Ethan Frome, Edith Wharton used her pen rather than her fist to reflect her feminist values. In the novel, Ethan Frome written by Edith Wharton, feminist ideals, principles, and problems are demonstrated in the societal dictations that shape the lives of the characters, the pitting of a woman against a woman, and Wharton's strangely antifeminist characters.

Several societal concepts such as these combined to bring Mattie into the Frome household; the idea that a woman should not be allowed to work alone to support herself, the gap left in a home when there is no female figure to fill the domestic role or the female figure is incapable of fulfilling her role, as Zeena was unable to do. There were two jobs that needed to be done in Ethan's world: the first job, the job of the man, was being the monetary receiver, while the second job, the job of woman, was the idea that she should focus her attention on the domestic needs of the household. Because Zeena cannot fulfill her roles, Mattie was brought in, creating an unbalanced, and eventually disastrous, home life.

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Ultimately, Ethan, Zeena, and Mattie all suffer from the entrance of Mattie into the marital life of Ethan and Zeena. This suffering is a direct result of society's pressure on Mattie to rely on her family rather than herself.

In Wharton's Ethan Frome, women took the lower position they were assigned and then fought against each other, accomplishing the men's idea of inferiority and subservience. By working against one another, Mattie and Zeena are working for men's expectations: that they will simply care for the man of the house, rely on him completely, while they have nothing of their ...

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