American Involvement in the Vietname war.

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American Involvement in the Vietname war

“American involvement in the Vietnam’s War ”

        Apocalypse Now directed by Francis Ford Coppola is the first film that strictly excoriate U.S. involvement in the Indochina war. Coppola described his motivation while making the film as: “ to create a film experience that would give its audience a sense of the horror, the madness, the sensuousness, and the moral dilemma of the Vietnam War.”(p.1) There was hardly a doubt that, Coppola delivered the above mention atmosphere by the uses of various filming techniques, combining with powerful war like scene. As a viewer, we might have received a sense that Coppola is virtually creating a World War III on screen. The theme of imperialism brought from U.S involvement stand out at the same time when Apocalypse Now takes realistic cinema to a new extreme.

        The ideas of American’s culture that dominate over other cultures were shown throughout the film. The first scene that shows the idea is when Willard and his crewmembers splashed their water, wave with their boat over some unfocused Vietnamese fishermen. The fact that they were not properly focus was to show American solipsism; focus only on their own culture. Another scene which shows American superiority over the others, happen when the Vietnamese people were left outside of the fence watching, while the sex-staved troops entertained by the Playboy Bunnies. Nevertheless, the bottom line is that Vietnamese are being ignored culturally and personally.

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        It is by no mean a co-incident as Coppola chose the make up of the troops on the boat as the representation of American people. We get a description of Willard’s crew from his own voice: “Chief” Hicks (Frederic Forrest), the boat’s machinist and hippie gourmet cook from New Orleans: “He was wrapped too tight for Vietnam, probably wrapped too tight for New Orleans.” “Lance” Johnson (Sam Bottoms), a famous Southern California surfer champion who water-skies behind the boat and works on his tan: “To look at him, you wouldn’t believe he’d ever fired a weapon in his life.” ...

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