Anzacs and the Gallipoli Campaign of 1915. How useful are the views of the Anzac soldiers at Gallipoli suggested in sources A, B and C? Explain your answer.

Authors Avatar

Nicholas Marshall 11A

History Coursework- Anzacs and the

Gallipoli Campaign of 1915

  1. How useful are the views of the Anzac soldiers at Gallipoli suggested in sources A, B and C? Explain your answer.

In April 1915 a decision was made by Winston Churchill to commit Allied forces to the desolate Gallipoli peninsula of southern Turkey. The idea was to break the current stalemate of the time and attack Germany through an ally instead of head on. However the campaign turned out to be a great failure. It is this campaign that my coursework unit will concentrate on and my first question is about the Anzac soldiers. These soldiers were not British or French as you might expect, but were instead from Australia and New Zealand. This was because the British and other allied troops were used up in other affairs of the war. So Churchill gathered as many troops as possible, most of these being from Australia and New Zealand and was named the Anzacs. As you might expect new countries bring about new views to war and the given sources; A, B and C, give an idea what these views may have been.

Source A has 2 separate images of an Anzac at Gallipoli. They are both done by the same artist and so will be quite similar with their messages. The first picture shows us a soldier, probably an Anzac, standing in a comfortable position and yawning. He, no doubt, represents the Anzac army. The title is above him and says ‘The hopeless dawn’ and there is a caption below him saying ‘ “standing to!” - 4.30 a.m.’

The soldier is drawn is such an undisturbed way because the artist wanted to show us that he thought most Anzacs were generally relaxed and were not scared by the concept of war.

The title represents the artist’s opinion of the Gallipoli campaign. He thinks that the campaign is ‘hopeless’ and this reflects upon his view of the Anzacs: Even though their battles are hopeless the soldier is still relaxed and calm about it. This suggests that the artist thought the soldiers brave or it could be interpreted that the artist thought the soldiers were emotionless and couldn’t be excited by things like battles.

The caption, ‘ “standing to!” – 4.30 a.m.’ strengthens this message because standing to means that he’s waiting for something. In war when your waiting for something massive amounts tension is created, this Anzac soldier though seems to be unaffected by this tension, which again suggests either bravery or coldness.

        Within this picture the artist’s view of the Anzac soldiers is that they didn’t worry too much about the consequences of war, even if it is a ‘hopeless’ one and there is a lot of tension from waiting for something. This indifference to war could be seen as lack of seriousness from the Anzacs. This has opposing affects because it could mean that the Anzacs won’t falter under pressure and so will be better soldiers, or it could mean that they have no professionalism and so will die by lack of efficiency. This view of the Anzacs meant that they helped or hindered the war in their separate ways.

        The second cartoon shows us a wrinkled, and therefore probably old, person wearing a hat too large for him, smoking a cigarette he probably made, and grinning widely. All these components combine to make him look like your average person at the time. This reflects on the artist’s opinion of the soldiers; they were just average and weren’t brilliant or poor. The wrinkles shows that the artist thought old people were used a lot for the Anzac army, which suggest unsuitability as they weren’t as fit as younger people but may mean that they were veterans of war. The grin and cigarette creates a casual and confident image of the Anzacs. If you connect this confidence view with the idea that there were a lot of veteran Anzacs used then the Anzac army must have been very good but if their confidence is linked up with their average characters it shows that they were most probably arrogant.

        The same artist drew both these cartoons at the time the Gallipoli campaign occurred and were published in ‘The Anzac Book’. This artist is Australian and so it may mean that the source is biased to make the Anzacs look better. Whether this is achieved or not is a matter of opinion, because if you admire confidence over professionalism then the Anzacs are most assuredly made to look better. The source is also based during the time and so it is primary data, which is always more reliable than secondary data. This is also only a view from one person and it can’t be representative of an entire army so the reliability decreases in this way. The last point about source A is that the information within the source was made for an Anzac book.  At the time propaganda may have been occurring to keep up Australia’s moral, which could mean that this source may have be biased in some way to fit this propaganda. So after considering it reliability I believe source A to be quite unreliable in seeing what the Anzacs view was on war.

Join now!

        When compared with my own knowledge this source is proved to be even more unreliable as the conditions may have been bearable for the soldiers at first in the campaign but the trenches soon became crowded and unhygienic. Also with the prospect of a failing campaign to lower the troops moral it doesn’t seem likely that such a carefree attitude that is portrayed in source A could have been generated in the Gallipoli campaign. Even if Australia or New Zealand did have such attitudes then the conditions of the campaign would have quickly crushed them. However when referring to the ...

This is a preview of the whole essay