'In reality he achieved very little.' How far do you agree with this judgment on Mussolini's social and economic policies in Italy to 1940?

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‘In reality he achieved very little.’ How far do you agree with this judgment on Mussolini’s social and economic policies in Italy to 1940?

It is important to judge what Mussolini was aiming to achieve in order to asses whether or not he was successful. Mussolini’s main aims were power, prestige, an expansive empire and the creation of the fascist man. The ‘cult of Il Duce’ secured the Italian people’s support, and consolidated Mussolini’s personal power, however, it can be seen from the failures of radicalization that his power was limited, and the people’s support merely superficial. The same could be said for Mussolini’s social and economic policies as they merely ‘window-dress[ed] fascism.

Mussolini aimed to consolidate his power in Italy. His social policies succeeded in giving him power and control; the cult of ‘il duce’ brought him the love of his people. Propaganda made Mussolini into an infallible man; a man of culture, action and physical strength. He was built into a genius and the savior of the Italian nation. The light of his study was left on all night to give the impression that he was dedicated to the success of his country. The cult of Rome also instilled his people with pride in Mussolini and the power of Italy. Public radios were set up in the streets so that the people could hear Mussolini’s inspiring speeches. Newspapers and posers glorified Mussolini. Censorship and propaganda allowed Mussolini to infiltrate people’s lives and gain their support and confirm his personal power. In this respect he succeeded in his aim to consolidate and maintain his power.

Mussolini also infiltrated culture with propaganda, with art, literature and discussion. Sironi said that ‘Culture and art have social and educative function’, which was Mussolini’s aim. Fascist art was a clear means of propaganda, with artists confused over the popular styles; neo-classicalism, which reminded them of the glory of Ancient Rome, or whether modern, more abstracted art was more popular. Despite this, most art portrayed a strong fascist Italy. The National Fascist Cultural Institute was introduced in 1926, with the aim to develop cultural autarky. Writers were forced to join the Fascist Writers Syndicate, in order to prevent any anti-fascist writings. However in the end they became disillusioned by the corruption, and they wrote anti-fascist writings anyway. This was all merely propaganda. Admittedly it was initially successful in maintaining Mussolini’s power and sustaining the regime, but ultimately it failed as it didn’t prevent the hostility. This suggests any previous success due to propaganda was superficial, as the people had no real belief in fascism and Mussolini. It also affected Mussolini, as he lost his grip on reality and got swept under by propaganda.  

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His social policies affected all areas of people lives. The leisure organization Dopolavoro was set up in 1925 with the aim to influence adults in the workplace and outside the workplace to compensate for the ban of trade unions. It provided activities such as football, and they opened 1350 theatres and 3000 brass bands. This social policy was a success in that almost every town and village had a Dopolavoro club house, and by 1939 there were over 4 million members, suggesting a large amount of the population were under fascist influence in their leisure time. However, the emphasis ...

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