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An analysis of the narrative structures of the James Bond Movies with a specific focus on the James Bond Movies 'The World Is Not Enough,' and "Die Another Day."

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Adam Irvine .1 An analysis of the narrative structures of the James Bond Movies with a specific focus on the James Bond Movies 'The World Is Not Enough,' and "Die Another Day." In this research project I will explore whether the James Bond movie reflects the society and time which it is constructed through its narrative structure, analysing 'The World Is Not Enough' and 'Die Another Day'. I believe most James Bond films do reflect the worldwide society. The narrative structure of each Bond film is quite similar, but each obviously has different story lines. The similarities include the action, the stunts, the sexy women and a traditional high-speed chase. In the words of the new director Lee Tamahori "Awesome sets, breathtaking stunts and a well-practised monster machine are what makes a Bond film."...(1) The chase is one of the areas that I shall look at to see how action and speed help dictate the narrative pace. The chase being the ice chase from "Die Another Day" directed by Lee Tamahori. As well as the opening sequence and the scene in Kazakhstan of "the World Is Not Enough," directed by Michael Apted. Both produced by MGM which in itself is a big institution which is well known for big budget films, just having MGM as the producing company set high expectations of the audience. These are all vital scenes, which help to dictate the narrative pace and also backup the ideology that Bond, Played by Pierce Brosnan, falls under the action/ Thriller category in terms of genre. The genre category of Bond however is not so straight forward to categorise. An action film is described as having "stunts and chases, high energy, possibly with rescues, battles, fights, escapes, non stop motion, spectacular rhythm, pacing and adventurous heroes."(2) Which both "The World Is Not Enough" and "Die Another Die" have. But there are so many individual conventions that Bond films alone have, it is arguable that Bond has become a sub-genre of the action thriller genre. ...read more.


It isn't until he catches he catches up with her later the next morning that he realises she is a secret agent for an American government agency. This is an important factor to the narrative structure of the film because so many times before in the bond films, a woman that bond encounters seems to have an individual project connecting to the villain that makes a sort of side narrative that keeps us the audience intrigued. But Jinx isn't the only girl that Bond sleeps with, He also has sex with Miranda Frost, an MI6 agent just like Bond, that we first suspect, begin to trust and then discover that our first thoughts were correct and that she is in fact working along side the bad guy, Gustav Graves, these characters are all important to the narrative but the one main scene that I shall examine is the ice chase. I think this is the most important because it gives a sense of pace and represents a typical Bond movie. But first though "The World Is Not Enough" analysis. The opening sequence begins with Bond walking down a Spanish street, looking smart and composed. This is where Toderov's theory is able to be implemented, with equilibrium being in place for about 60 seconds whilst we see Bond walking down the street then see the panning shot of the majestic Swiss bank, just to give the audience a sense of location. The next shot we see is a close up of Bonds gun having been placed on the table. This almost tells us there will be ......................................................................................................... 1. Philip C Congletion, www.jamesbond.com 2. Philip C Congletion, www.jamesbond.com Adam Irvine .4 trouble and the fact that Bond carries a gun, is a connotation that he also carries disequilibrium with him. Bond then has a rather tense conversation with the arrogant Swiss banker before he uses his rigged glasses to set of a small explosion that disorientates the two henchman watching Bond, allowing him to kill one and knock out the other. ...read more.


So when they resumed the film speed to normal it appeared that they travelling at around 60 miles an hour. The end of that particular scene then finishes with Bond bumping the back of Zao's car with his own and knocking Zao of coarse. He does regain control and they disappear into the distance towards the ice palace. This was perhaps the best chase in the history of Bond when it comes to mise-en-scene projection and cunning techniques. At this point I was gripped to the film and pulled into the narrative further. Adam Irvine .6 "The best filming techniques that I have ever seen on screen!" (Peter Francis.) It is clear that one of the main things that dictate narrative structure is narrative pace, particularly in Bond films. They are as we have discussed almost their own genre so the conventions of Bond films are unique to Bond films as they are only to be seen together in a Bond film. In analysis I can conclude that James Bond films do reflect both the society and time in which they are set. This can be dominantly found in their representation of women, reflecting the change of women's roles in society over the years that Bond has been around. When it first started women were looked at to just stay home and cook for their man, but now are seen as equal in society. Although 'The World is not Enough' and 'Die Another day' are set in various countries they offer a central representation of the middle east. This is because of the change in the travel industry. Now people can travel easier so James Bond producers no longer use luxurious places so people wish to visit them as they already can. Particularly using the Middle East however gives the whole audience a political look at that area, distinctly where there is conflict. This offers an audience an inside look and a view on real life conflict areas. The narrative is very important to every genre, particularly to an action thriller. ...read more.

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