• Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

Godfather Scene Analysis

Extracts from this document...

Introduction

The Godfather Scene Analysis The scene I am analyzing is from The Godfather. It occurs about halfway through the film, when Michael murders rival gangster Tattaglia and his police captain ally in an Italian restaurant. Since they know he will be searched for weapons prior to the meeting, Michael's family has hidden a gun in the bathroom of the restaurant so he can retrieve it during the meal and do the deed. I will begin as he enters the bathroom. The camera is situated in a stall at a slightly high angle, with the bottom of the frame obscured by one of two swinging wooden doors. Michael enters the bathroom and passes through both doors. The audience only gets a glimpse at his face as he does so; it is obscured by the doors and his arm when he opens the inner one. This is a recurring motif throughout the film. ...read more.

Middle

He stops, and slowly brings the gun down in front of him. It then cuts back to the shot of the men at the table. The captain looks over again, but the faint sound of a toilet flushing is heard, and he quickly returns to his meal, apparently unconcerned. The scene returns to the bathroom, where the camera shifts back to the left to follow Michael's exit from the stall. His face is briefly glimpsed again before he stops in the area between the two swinging doors. He pauses in this in-between area, facing away from the camera. More than half the frame is obstructed by the door and wall, leaving only the back of his head visible in the upper portion of the frame. This is a deliberate shot, containing a great deal of visual information. He is between the doors, as he is between his old life as a devoted lover and war hero, and the criminal future he is doomed to by killing the men. ...read more.

Conclusion

No subtitles are provided, suggesting that Michael is not really listening to what he is saying. This is reinforced as the camera slowly zooms past Tattaglia's shoulder, focusing on Michael's face. His eyes move around constantly, but never make contact with either man, and the sound of the train grows even higher as it squeals to a stop. Michael begins to draw his gun and stand up. The camera cuts to a position directly behind Michael, and as he moves to the right, Tattaglia's head comes into view. Michael shoots him in the forehead, and a red mist of blood flies out behind him. The view then switches to the captain, a bite of veal halfway to his mouth, then briefly to Michael holding the gun, and then to a side view as Michael shoots him in the throat. There is a brief cut back to him holding the gun, and then to the captain clutching his throat as he is shot again, dead-center in the forehead. And with that, Michael Corleone the war-hero becomes Michael Corleone the gangster. ?? ?? ?? ?? Will Marsh ...read more.

The above preview is unformatted text

This student written piece of work is one of many that can be found in our AS and A Level Films section.

Found what you're looking for?

  • Start learning 29% faster today
  • 150,000+ documents available
  • Just £6.99 a month

Not the one? Search for your essay title...
  • Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

See related essaysSee related essays

Related AS and A Level Films essays

  1. Marked by a teacher

    Top Gun Analysis

    The scene begins with practical silence however this is interrupted with one of the signature soundtracks of the film 'Danger zone' this is music compacts the danger that the pilots are now faced with, the non-diagetic soundtrack is only introduced when danger is presented to the pilots and when Tom Cruise acts upon the impending danger.

  2. "Running in the Family" by Michael Ondaatje.

    On pg. 85, Ondaatje speaks of the Europeans "Don't talk to be about Matisse.../ the European style of 1900, the tradition of the studio / where the nude woman reclines forever / on a sheet of blood." From the following pg, Ondaatje's collections of poems start.

  1. The Godfather

    For the shots within the office, we see Vito engaging in business activities, performing favours for different parties and keeping himself in the office for most of the visible wedding. The lighting literally shows the dark side of Vito versus his lighter, more relaxed side - his life within

  2. Children of Men Analysis Opening Scene

    people in the shot to the TV, and as you are looking at the peoples reaction to the narrative event occurring on television, you can notice that everyone emulates a stereotypical British person in the shop. You can see a man with an open blue collar, and this indicates that

  • Over 160,000 pieces
    of student written work
  • Annotated by
    experienced teachers
  • Ideas and feedback to
    improve your own work