Throw Away The Cliché

Have we as a society come to expect perfection and beauty at every level of our lives? Are these expectations reinforced by the media? Some recently released films have taken a significant step away from this cliché.  Kate Barnett investigates…

These days, society is bombarded by images of perfection. Whether it be images of flawless bodies, idealistic friends, or perfect families, these images inundate our television sets, our magazines, and especially our movie screens.

Images of perfection on the big screen are increasingly evident lately, providing us with unrealistic images of the clichéd family – the perfect father, mother, son and daughter and, of course, the white picket fence.

It is very refreshing, and rare, to see films that step away from the unrealistic cliché and show families that we ourselves are part of. They have everyday problems and are often messy, chaotic, and unsolved.

Films such as Looking for Alibrandi (2000), Stepmom (1998) and Where the Heart Is (2000) have been released recently, and it really is a pleasure to see them portray life as we see it. Each one deals with real issues, and real problems, ranging from disease, to ethnicity, to teenage pregnancy. These films take an admirable step away from the cliché and show us families that we can relate to.

Looking For Alibrandi, directed by Kate Woods, takes a captivating approach to dealing with real issues. The movie confronts issues such as struggle for identity, teenage suicide, and ethnicity. These issues are something a teenager may face during their life.

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The film introduces the audience to Josie Alibrandi (Pia Miranda) and her family. Josie, just like a normal teenager is struggling with her identity. She is of Italian background and apparently feels she doesn’t she fit in.

       

Josie and her friend, Jacob

As the movie progresses, Josie deals with several obstacles in her life. One of the main issues is the appearance of her father (Anthony LePaglia), whom she had never met. Josie is also confronted with the suicide of her friend John Barton (Matthew Newton), a boy who she secretly loved, ...

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