Babies and Music

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Leah Aiello

Mrs. Gershon

English 2A

12 May 2009        

In a world that revolves around “better, faster and stronger” is it surprising that we are so obsessed with advancing our children at such a young age? Music surrounds us wherever we go. A common saying is that a child’s brain is like a sponge, ready to soak up anything thrown their way. A human brain is ready for anything starting at the crucial fetus stage. Brain development is imperative the first few years of life. In the first few years of life the brain begins to develop and form connections, these years are among the most important. A fetus inside the mother’s womb can take in sound, which starts the early stimulation and development of one’s brain. A child, whether inside or outside of the womb, has a great ability to hear sounds, and given the right type of music, it can have a positive effect on children.

Classical music can have powerful effects on children even before birth while inside the mother’s womb.  Recent studies show that:

Children exposed to classical music in the womb show a positive change in physical and mental development after birth. In this experiment, fetuses were exposed to 70 hours of classical music during the last week of pregnancy. When studied at six months, theses babies were more advanced in terms of motor, linguistics and intellectual development than babies who received no musical stimulus during pregnancy (Robledo).

The fetus

Can hear at approximately six months of development and receives sound information from the outer regions of the mother through its own auditory system. With support from touch, taste and smell, hearing plays a prominent role in connecting the outside world while we are in the womb (Federico)

 The positions of a child inside the mother’s womb can effect how clearly the fetus can retrieve sound. Stimulation varies when the fetus changes position in the uterus (Federico). Sound vibrations are also affected by the “location of the hipbones of the mother” (Federico). One of the most effective positioning of the fetus to receive sound is when “fetuses are in the breech position they will receive more intense intrauterine sound. This is a result of the proximity of their auditory system to the sounds of the mothers heartbeat, as well as the circulatory sounds of the placenta, among other noises and sounds” (Federico). Slight movements or abrupt movements can show the recognition of sounds and how “rhythm exists in the spontaneous movements of a fetus, in intrauterine breathing movements, heart rate, sucking and kicking, in state of alertness and quite, and partly in reaction to what is heard, for example the beating of the mother’s heart, the hum of blood pumping through her arteries and placenta, the flow of air in and out of her lungs, and her voice” (Robledo). You can track the type of music your child enjoys because “babies breathe in time with the music they enjoy” (Robledo).  

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Babies at birth are greatly affected by the usage of music whether it is music introduced while outside the womb or it is music remembered from inside the womb. When babies who were “prenatally stimulated hear familiar music, they usually turn their heads in the direction where the music is coming from” (Federico).  Babies who hear familiar music:

change their facial expressions while listening to theses rhythmic sound variations, perhaps even smile and increase their sucking. Their pupils might dilate and eyed begin to stare for 4 to 10 seconds. They will stretch their small fingers and toes. Cardiac ...

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