"Stomp Out Loud" theatre review.

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Sean Fitzjohn

“STOMP OUT LOUD” THEATRE REVIEW

“Stomp Out Loud” is a musical production. It combines elements of physical movements, musicality, rhythm and pace to bring you the stunning performance of “Stomp Out Loud”. The unique musicality and movement of Stomp lies in the range of everyday objects it employs to achieve its effects: this is a show that finds sound in manipulating everything from broomsticks to matchboxes, toilet plungers to plastic carrier bags, cigarette lighters to water cooler containers

This play is almost entirely based on physical movements, but the director cleverly uses techniques such as contrasts in atmosphere and setting. For example, certain scenes would be given a more sinister feel to it, by use of lighting, sound and props. “Stomp Out Loud” has no fixed setting, but instead it uses several different settings and many of them are linked in one way or another (the kitchen following into the water phonics scene through the drainage system). It is music and dance and performance. It has characters and a theme, though no cohesive plot. There are no words spoken throughout the show, though grunts and body sounds contribute. Within each "scene" there is a bit of a story. The main idea, however, is that a group of people (or just one individual) are wondering, “How could I make music from this?”. They try, and succeed. As they succeed, more and more people start joining in, building in pace and rhythm and before you realise it, they have created a full orchestra with that single prop. The objects change, the pitch and rhythm change, the style changes a bit, we get to know the characters' personalities a bit more. It is very subtle, but it is noticeable from these changes. The changes in pace of music helped build tension and kept us, the audience, on the edges of our seats.

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Movement was essential to the play. They would be nowhere as near as successful if they just had the music but no movement. The movement added life, as well as a “story” to the performance, as I had mentioned earlier. The choreography of the performance was excellent. These highly-skilled performers managed to pull off extremely confusing and complex manoeuvres whilst at the same time, keeping their pace and rhythm. Timing was especially important, as one mistake could lead to disaster. Characters were suspended on sky-high billboards, to waist-deep in sewer water.

Lighting and sound were used extremely effectively ...

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