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To What extent is "Prlude l'aprs-midi d'un faune" representative of the 20th Century?

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Introduction

To What extent is "Pr�lude � l'apr�s-midi d'un faune" representative of the 20th Century? The Pr�lude was composed between 1892-94 and was based on the poem written by Mallarm�, close friend of Debussy since 1887. Originally, this one movement orchestral piece was going to have a prelude, an interlude and a "paraphrase finale" but only the prelude was ever written. This was Debussy's first mayor experiment in writing for orchestra and is said to be the first example of impressionism in an orchestral piece. Debussy, born in 1862, was one of the most potent influences on the course of music in the twentieth century, for example his rich use of timbre was of great influence on composers like John Cage. His style of composition is designed to create descriptive impressions by evoking moods through rich, varied harmonies and timbres. The melodies, harmonies, colours and rhythms make the musical language completely different from that of the German Romantic tradition (e.g. Wagner). He equals, in contrast with the German tradition, the importance of timbre with the importance of harmony and melody. ...read more.

Middle

Colouristic harmony can be seen in bars 103-104, where beneath the chromatic oboe solo are the chords of Cmayor, Am, Cmayor7th,F#m, F#m7 th. Here the chords of Cmayor and F# are as distant from each other as possible, the are a tritone apart and the chords are chosen only because of their sound. Debussy uses a non-functional harmony which consists of successions rather than progressions of unrelated alternating chords (bar 28). This effect makes the music sound unresolved and meandering which again recreates the sensation of a dream. However functional harmony is not absent in the Pr�lude, he uses a perfect cadence in Emayor in bars 105-106, this is a symbolic resolution of all the unresolved diminished chords, 7th chords etc... ; here all ideas come to rest. . Another way in which the music is unified is by the recurrence of the initial flute theme, though each time it is subtly altered in terms of shape and accompaniment. Melodies are in no clear key or rhythm and are ambiguously related to the harmony; i.e. ...read more.

Conclusion

This is why Debussy is described as the first modern composer as he was the first one to evoke moods through harmony and tone colour, much unlike previous composers such as Strauss who emphasised melody and form. Also the fact that the music is not programmatic (such as Wagner (Tristan und Isolde) or Strauss and it's symphonic poems) but only suggest and gives impressions of a story makes the music a 20th century piece. The orchestration has some aspects which could be considered to be of the 20th century. The strings are playing very low in their usual register (bar 28 violin 1). To enrich the sonorous effect the strings use shimmering tremolando (sur la touch� bar 11). The cellos (bar 24) and woodwind (bar 69) are playing very high in their register creating a very rich timbre. This use of instruments was not in the German romantic tradition and it broke the rules of orchestration of the moment. However there are some romantic characteristics in the Pr�lude such as the chromatic harmony (bar 13-14), the repletion of a melody with different orchestration (bar 22) The piece has complex rhythms, the melodic variaton (the "leitmotiv" such as the ascending minor 4th). ...read more.

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